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Express News Service In Court, first-time director Chaitanya Tamhane painted a stark (and savagely funny) portrait of the Indian judicial system. The 2015 Marathi-language film relied on a simple juxtaposition: the gap between exalted legal ideals and their actual process. A similar tug-of-war invigorates The Disciple, Tamhane s second feature, about a young classical singer named Sharad (Aditya Modak). In the opening scene, the camera closes in on a musical performance in a large hall. We’re introduced to Sharad’s father, a veteran vocalist and teacher, and then, as the frame tightens up, to Sharad himself. A second-generation classical performer in Mumbai, Sharad has grown though hardly blossomed in his father’s shadow. ....
Watch | Alfonso Cuarón and Chaitanya Tamhane on The Disciple Updated: Updated: April 23, 2021 19:07 IST The duo talk to us about why the film has struck a chord with global audiences, how such international collaborations can drive Indian cinema forward, and how the pandemic has influenced their filmmaking Share Article Close X The duo talk to us about why the film has struck a chord with global audiences, how such international collaborations can drive Indian cinema forward, and how the pandemic has influenced their filmmaking Chaitanya Tamhane s sophomore film The Disciple has been making waves around the world. The movie, which focuses on a classical musician in Mumbai, has Oscar-winner Alfonso Cuaron onboard as an executive producer. ....
Alfonso Cuarón and Chaitanya Tamhane discuss ‘The Disciple’ Updated: Updated: April 21, 2021 17:59 IST It may have missed the Oscars, but The Disciple is grabbing eyeballs for its universal theme that explores artistic ambition, legacy and acceptance Share Article It may have missed the Oscars, but The Disciple is grabbing eyeballs for its universal theme that explores artistic ambition, legacy and acceptance When Gravity released in 2013, the space-thriller made more than $700 million worldwide, and won seven Academy Awards, including one for Alfonso Cuarón as best director. The Mexican filmmaker could have literally made anything he wanted at that point big-budget Hollywood studios and stars were lining up to work with him. Instead, he went back to his neighbourhood in Mexico city where he’d grown up, and made a personal period piece called ....