The Value of the Federal Writers' Project Slave Narratives
This article was published online on February 9, 2021. On a rainy Thursday afternoon in November, I stepped inside the National Museum of African American History and Culture, in Washington, D.C. On past visits, I’d always encountered crowds of tourists and school groups, a space bursting with movement and sound. But on this day, the museum was nearly empty. It seemed to echo with all the people who had been there but were no longer. For the few of us inside, social distancing was dictated by blue circles scattered on the floor. I made my way down to the bottom level, which documents the hi...