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Theatrical traditions, like a nine hour version of the hindu epic, the mahabharata. the theatricality of theatre is that one group is telling a story to the other and there is this intimate relationship which must never be broken, and a complete shared understanding that, of course, it s not for real. to many, he was the greatest theatre director of the 20th century, a man whose talent crossed continents and cultures, to create memorable and magical work. joining me now is nick curtis, who s the chief theatre critic at the evening standard. welcome to you, thank you for being with us. as a theatre critic, which made him so special in your view? i think if you look around, anything thatis think if you look around, anything that is considered radical in the theatre today, certainly the british theatre, and much of international ....
A man whose talent crossed continents and cultures to create memorable and magical work. earlier, i spoke to nick curtis, who s the chief theatre critic at the evening standard, and began by asking him what made peter brook so special. i think if you look around, anything that is considered radical in the theatre today, certainly the british theatre, and much of international theatre, a lot of it came from peter brooke. he was years and years ahead of his time, he broke down every wall that you can think of. you interviewed him just a few years ago, what was he like? he was 94 then, i met him a few months before lockdown. he was going blind but still working, incredibly, he had the most incredible lust for life and lust for art. he was lit up from within, really, had an incredible zest for life. ....