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Taking on Taylor Swift

does not e entail sufffficiet originalitity to warrarant cocopyright prprotection.. shirleley halperinin: the e judge decrcreed that this s particularar phrae was too brbrief, too u unorigin- totoo common, , basically,y, e a legitimamate copyrigight cla. sean halall: when you're a a songwriteter, you pridide yourselflf on cominp withth new, fresesh lingo, p ph, waysys to conveyey an idea.. all l righty. and when y you do thatat, and then it's s used somepeplace e, it'll mamake you feel a cerertain way.. yoyou don't gogo through a procesess for fiveve, six yearars of challllenges, t knowining what thehe end will . cases can n be emotiononal. ups and dodowns, sad, , happ, excited, n not exciteded. just---- i wasn't t nervous. i wasn't s scared. we'v've gotten m messages. we've gotttten death t threat.

Shirleley-halperinin , Judge , Particularar-phrae , Sufffficiet-originalitity , Unorigin-totoo-common , Cocopyright-prprotection , Waysys-to-conveyey , Y , Aa-songwriteter , Sean-halall , Lingo , Cominp-withth

Taking on Taylor Swift

thatat only the e culture could ununderstand,, that o only the cocollective could ununderstand.. sean h hall: playeyer and hater, wordsds like thatat, it d definitely y didn't comomm a a news feed d or a countntry . it came frfrom in the e hood. kylele barker: c check it ouout. you say y he's the s smoothet player o out of the e three f us here.e. will s smith: hey,y, uncle ph. uncle phphil: hey, h hey, he. dodon't be a p player hater, my y brother. jerome: onone of the o originl player f from the hihimalaya. sidneyey madden: i in the 90s d in t the early 2 2000's, as s h, and r&r&b, and blalack music c in generalal was s just enjoyoying this t l wawave of cultltural influlue, a a lot of tererms that wewe natutural and sysynonymous inin the blackck commununity becameme terms that werere synonymomous in popop culture e writ largeg. so t think of slslang terms s , player, hahater, shott caller, baballer.

It-d , Thehe-compositition-thatat , O , Sean-h-hall , News-feed-d , Countntry , Frfrom , E-culture , Cocollective , Wordsds , Ununderstand , Didn-t-comomm

Taking on Taylor Swift

sean hall:l: i definititely fefeel like ifif there wass a a conversatition with taylor o or her teamam, things wouould be a lolot diffe. we prorobably woululdn't bebe talking r right now.. julian w wright: wee would d have figurured out whwhat worked d for both p par, and it w would have e been do. and thatat's what wewe expect. thatat's what wewe thought w wag to happepen because e it happs evevery day. lilisa respersrs france: if we w anythihing about t taylor swi, it's that t she does not shy y away from m a fight. [music plalaying] shirleley halperinin: tayloror swift has becomeme a sort ofof unexpectd chamampion of crcreator's riri. whwhen she wenent after spspot- intervieiewer 18: ababruptly pulling alall of her a albums fromom the streaeaming servrvice spotifify. shirley y halperin: : --for thr rates,s, which arere paltry. she e has taken n on apple.. intervrviewer 19: : apple compmy changed itits policieses that y spenent months negotiatingng. and it s shows that she has s unbelievabable power.. shirirley halpererin: which h sd didn't payay the creatators fai, which is t true. as a s songwriter r advocate, ,s really donone tremendodous wo.

It , Thehe-compositition-thatat , It-feelsls-personal-l-julian-w , D , Sean-h-hall , Julilian-wright , Wee-would-d , Julian-w , Wewe-thought-w , We-prorobably-woululdn-t-bebe-talking-r , Thatat , Out-whwhat

Taking on Taylor Swift

thatat only the e culture could ununderstand,, that o only the cocollective could ununderstand.. sean h hall: playeyer and hater, wordsds like thatat, it d definitely y didn't comomm a a news feed d or a countntry . it came frfrom in the e hood. kylele barker: c check it ouout. you say y he's the s smoothet player o out of the e three f us here.e. will s smith: hey,y, uncle ph. uncle phphil: hey, h hey, he. dodon't be a p player hater, my y brother. jerome: onone of the o originl player f from the hihimalaya. sidneyey madden: i in the 90s d in t the early 2 2000's, as s h, and r&r&b, and blalack music c in generalal was s just enjoyoying this t l wawave of cultltural influlue, a a lot of tererms that wewe natural and sysynonymous inin the blackck commununity becameme terms that werere synonymomous in popop culture e writ largeg. so t think of slslang terms s , player, hahater, shott

It-d , Thehe-compositition-thatat , O , Sean-h-hall , News-feed-d , Countntry , E-culture , Cocollective , Wordsds , Ununderstand , Didn-t-comomm , Playeyer-and-hater

Taking on Taylor Swift

"plalayas going g to play" and "hataters going g to hat" does not entail sufficient originality to warrant copyright protection. shirleley halperinin: the e judge decrcreed that this s particularar phrae was too brbrief, too u unorigin- totoo common, , basically,y, e a legitimamate copyrigight cla. sean halall: when you're a a songwriteter, you pridide yourselflf on cominp withth new, fresesh lingo, p ph, waysys to conveyey an idea.. all l righty. and when y you do thatat, and then it's s used somepeplace e, it'll mamake you feel a cerertain way.. yoyou don't gogo through a procesess for fiveve, six yearars of challllenges, t knowining what thehe end will . cases can n be emotiononal. ups and dodowns, sad, , happ, excited, n not exciteded. just---- i wasn't t nervous. i wasn't s scared. we'v've gotten m messages.

Judge , Shirleley-halperinin , Originality , Plalayas-going-g-to-play , Copyright-protection , Particularar-phrae , Unorigin-totoo-common , Hataters-going-g-to-hat , Y , Waysys-to-conveyey , Aa-songwriteter , Sean-halall

Taking on Taylor Swift

sure tayaylor swift t will be sg fofor copyrighght infringegem. peteter andersonon: we've got two exextremes, whwhere it's identicacal copying g of this exact nunumber of rerepetitio, anand we've gogot the plaiaints work whehere there's's no repetitition at allll. but i i think no r repetitiont all l means it's's not protete. i think k there's anan argumet with thihis number of repetitit, it i is protecteted. intervrviewer 2: t thank you. peter ananderson: ththank you,u, your hononor. maririna v. bogogorad: i thik thatat was also o a point tht inflfluenced thehe ninth cicircuit sayiying, yeyes, this cacase should d pr. [m[music playiying] julilian wright:t: the thing that s stood out t to me was me than jusust the wordrds. there e were quitete a few structuralal things ththat i w within thehe compositition thatat's in bothth songs. they're e both used d as the ho. a hohook is-- ththat's the c c. that's thehe part of t the sog that eveverybody rememembers. lilisa respersrs france: i n the e "shake it t off" lawsus, tayloror's team hahas been argg ththat the phrhrase "playeyersg to play,y, haters gogoing to h" that t those two p phrases arert of the pubublic domainin.

Swift-t , Nunumber-of-rerepetitio , Whwhere-it-s-identicacal-copying-g , Anand , Repetitiont , Number , Anan-argumet , Peteter-andersonon , Sg-fofor-copyrighght-infringegem , Tayaylor , Work-whehere-there-s , No-repetitition

Taking on Taylor Swift

it feelsls personal.l. julian w wright: agagain, whenu respecect other arartists, whehu respecect other sosongwriters,u giveve credit whwhere credit is d due. and yoyou obtain a a license. sean hall:l: i definititely fefeel like ifif there wass a a conversatition with taylor o or her teamam, things wouould be a lolot diffe. we prorobably woululdn't bebe talking r right now.. julian w wright: wee would d have figurured out whwhat worked d for both p par, and it w would have e been do. and thatat's what wewe expect. thatat's what wewe thought w wag to happepen because e it happs evevery day. lilisa respersrs france: i if ww anythihing about t taylor swi, it's that t she does n not shy y away from m a fight. [music plalaying] shirirley halpererin: taylylor swift h has becomeme a sort ofof unexpectd chamampion of crcreator's riri. whwhen she wenent after spspot- intervieiewer 18: ababruptly pulling alall of her a albums fromom the streaeaming servrvice spotifify. shirley y halperin: : --for thr rates,s, which arere paltry. she e has taken n on apple.. intervrviewer 19: : apple compmy changed itits policieses that y spenent months n negotiating.

Sean-h-hall , It-feelsls-personal-l-julian-w , Ininspiring-yoyou , Julilian-wright , Credit-is-d , Whenu-respecect , Whehu-respecect , Sosongwriters , Credit-whwhere , Arartists , Teamam , I-definititely-fefeel

Taking on Taylor Swift

and used i it in theirir own chororus, i'm sure tayaylor swift t will be sg fofor copyrighght infringegem. peteter andersonon: we've got two exextremes, whwhere it's identicacal copying g of this exact nunumber of rerepetitio, anand we've gogot the plaiaints work whehere there's's no repetitition at allll. but i i think no r repetitiont all l means it's's not protete. i think k there's anan argumet with thihis number o of repetit, it i is protecteted. intervrviewer 2: t thank you. peter ananderson: ththank you,u, your hononor. maririna v. bogogorad: i thik thatat was also o a point tht inflfluenced thehe ninth cicircuit sayiying, yeyes, this cacase should d pr. [m[music playiying] julilian wright:t: the thing that s stood out t to me was me than jusust the wordrds. there e were quitete a few structuralal things ththat i w within thehe compositition thatat's in bothth songs. they're e both used d as the ho. a hohook is-- ththat's the c c. that's thehe part of t the sog that eveverybody rememembers. lilisa respersrs france: i n the e "shake it t off" lawsus, tayloror's team hahas been argg ththat the phrhrase "playeyersg to play,y, haters gogoing to h" that t those two p phrases arert

Swift-t , Nunumber-of-rerepetitio , Whwhere-it-s-identicacal-copying-g , Anand , Swifties-couldn-t-get-theirir , Repetitiont , Allll , Peteter-andersonon , Sg-fofor-copyrighght-infringegem , Tayaylor , Chororus , No-repetitition