Setting the Tempo With One Eye on the Stage
New York City Ballet opened in 1948 with a triple bill of ballets choreographed by George Balanchine to music by Bach (Concerto Barocco),
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New York City Ballet opened in 1948 with a triple bill of ballets choreographed by George Balanchine to music by Bach (Concerto Barocco),
Andrew Litton, the musical director of City Ballet, talks about conducting for ballet and the lure of the company’s repertory, much of it rare in concert hall.
Highlights of events taking place on the Maltese islands in the coming days
After a season of saying farewell to cherished roles, the City Ballet principal Sterling Hyltin prepares to take her final bow in “The Nutcracker.”
Mainstream music making has its own rewards. Classical review by Robert Beale