Hear me out: why A View to a Kill isn't a bad movie
I’ve even interviewed Tom about his love for Gold, Moore’s 1974 non-Bond masterpiece which essentially supplies the plot for A View to a Kill: a villain plans a calamitous flood to boost the price of a commodity he wants to control (microchips this time), only to be stopped by an ageing knitwear model and the women he seduces. So when I was charged with making the case that A View to a Kill is not the subject of ridicule it has in some places sadly become, I discussed it with Tom. He’s currently surviving lockdown in south London with only pillows with Sir Roger’s face on them for com...