Disdain, decay and a half-dead eel: why Withnail & I explains so much of Sunak's Britain | Max Wallis
In straitened times, debauchery can seem the only answer to hard reality, says writer and poet Max Wallis
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In straitened times, debauchery can seem the only answer to hard reality, says writer and poet Max Wallis
Everything you’ll ever need to know about Bruce Robinson’s 80s masterpiece; a wry modern fable from Louis de Bernières; and Britain’s wartime witch trial revisited
From the malevolent washing-up to the last swig of Margaux in the rain, this is a loving tribute to a perfect film. By Ed Potton
Two men stride through a quaint Cumbrian village on an overcast Saturday afternoon, long overcoats flapping behind them. Newly and unusually flush with cash, the pair have been gifted money from a relative. Said relative has ordered them to get better equipped for a weekend in the countryside by buying Wellington boots. The men, however, have other ideas. Specifically: pub. Here, they drink themselves drunk until closing time, and then decide belatedly to line their stomachs in a tea room next door.
As a new book about Withnail and I hits the bookshelves, Stephen Griffin looks at the cult film’s connections to Camden Town