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In Season Opener, Opera Company of Middlebury Navigates the High Cs - Vimarsana News

In Season Opener, Opera Company of Middlebury Navigates the High Cs

Doug Anderson, the Opera Company of Middlebury's artistic director and founder, is at it again. With producer and stage manager Mary Longey and music director...

Work of the Week: Rudolf Stingel's Gagosian Exhibition in New York - Vimarsana News

Work of the Week: Rudolf Stingel's Gagosian Exhibition in New York

An immersive installation featuring paintings and a striped carpet by Rudolf Stingel is on offer for $3.5 million at Gagosian in New York.

Source: artnet.com
Archaeologists have new explanation for Otzi the Iceman's tattoos - Vimarsana News

Archaeologists have new explanation for Otzi the Iceman's tattoos

By Katie Hunt | CNN Found high in the Tyrolean Alps in 1991, Ötzi the Iceman had dark skin and eyes and was likely bald. His remarkably well-preserved remains, frozen beneath ice for about 5,300 years, revealed 61 tattoos inked all over his body. How and why Ötzi, perhaps the world’s most studied corpse, got the body art has long been a source of fascination. Initial analysis suggested the tattoos were incised with a blade and then impregnated with black pigment. Now, the latest research

Source: wn.com
Archaeologists have explanation for Otzi the Iceman's tattoos - Vimarsana News

Archaeologists have explanation for Otzi the Iceman's tattoos

The 2016 study suggests that tattoos are a long-standing and widespread cultural practice, with different means of permanently inserting pigments beneath the skin. The techniques include hand poking or tapping with the use of a single-point tool that may or may not have a handle; incision; and subdermal tattooing, or skin stitching, using a needle to thread an ink-soaked filament or sinew.

Archaeologists have explanation for Otzi the Iceman's tattoos - Vimarsana News

Archaeologists have explanation for Otzi the Iceman's tattoos

The 2016 study suggests that tattoos are a long-standing and widespread cultural practice, with different means of permanently inserting pigments beneath the skin. The techniques include hand poking or tapping with the use of a single-point tool that may or may not have a handle; incision; and subdermal tattooing, or skin stitching, using a needle to thread an ink-soaked filament or sinew.