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Klaus Littmann's stunning ark-like sculpture turns a single tree into a piece of art

The Swiss artist's new installation, Arena For a Tree, encased in a basket-type structure of wooden ribs, not only asks audiences to reflect on themes. ....

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A Swiss Curator Is Calling the Centerpiece Exhibition of London's Design Biennial an 'Imitation' of His Earlier Work

Forest for Change The Global Goals Pavilion at London Design Biennale. Photo by Ed Reeve.
London’s Design Biennial opened this week with a central question posed by its artistic director, the award-winning artist and stage designer Es Devlin: How can design provide solutions to the greatest crises facing the world today?
A centerpiece of the exhibition is a spectacular forest of 400 trees planted in the magnificent courtyard of Somerset House. Designed by Devlin for the biennial’s Global Goals pavilion, there’s a clearing at the center of this “Forest for Change,” as it’s called, with an installation driving awareness of the United Nations’ goals for sustainable development. ....

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Swiss Curator Accuses London Design Biennale for Appropriation

Swiss Artist Accuses London Design Biennial For Copying Massive Forest Installation: The centerpiece of the exhibition which features 400 trees planted in the courtyard of Somerset House. ....

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Tree art is putting down roots

Tree art is putting down roots
Tree art is putting down roots
Arboreal art is having a moment. We explore how artists are installing trees in public spaces as odes to social change. Branching out of barking fad?
Klaus Littmann,
Arena for a Tree, 2021. Photography: Gerhard Maurer
It may sound far fetched, but we have it under good authority that art is starting to grow on trees. They line our parks, maintain our industries and sustain our existence. And trees’ role in public installation art is far from revolutionary. One need only bark back to the artist and environmental activist Joseph Beuys’ ....

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Klaus Littmann Exposes London Design Biennial Forestation Appropriation

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Klaus Littmann, the Swiss artist behind the major art intervention ‘For Forest – The Unending Attraction of Nature’ which took place in Klagenfurt, Austria in 2019, has expressed his concern about the similarity of a new project by the British stage designer Es Devlin for the London Design Biennial 2021 titled ‘Forest for Change’.
Imitation is the sincerest form of flattery – Oscar Wilde
Littmann started presenting theme-oriented art exhibitions in the public arena around 30 years ago. At the centre of his research lies the interest in everyday culture as well as the dialogue between contemporary Art and historically grown urban spaces. Underlying each of his complex and unique projects is a dichotic tension highlighting the artist’s preoccupation with everyday culture and the confrontation between contemporary Art and urban spaces. ‘Art should, by all means, go to places where people already are – that is to say, in the public realm ‘, he says ....

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