The Paris Review - A Conversation with Louise Erdrich
“Don’t you think ribbon-skirted women should rule the world?”
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“Don’t you think ribbon-skirted women should rule the world?”
THERE ARE MANY FORKING PATHS, in life as in art, through the social and political construct that is Britain. At Tate Britain, a rehang of the biggest collection of the nation’s cultural patrimony, from the Tudor period to the present, unfolds chronologically across thirty-nine rooms. Divided by the three-hundred-foot-long Duveen Galleries (which are always devoted to temporary commissions or displays), rooms to the west, whose walls are sumptuously colored in hues of deep blue, mahogany, emerald, purple, scarlet, indigo, span from 1545 to 1940. To the east, art from 1940 to today is set agai...
Alex Farquharson, the director of Tate Britain, opens up on the thinking behind a top-to-bottom reassessment of the largest collection of British art in the world
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María Gainza's latest novel follows the trail of an enigmatic, brilliant forger with intriguing results.