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For her inaugural show at Peter Blum, Martha Tuttle presents an array of paintings in conjunction with the subtle sculptural presence of a variety of rocks and crystals, both within these and distributed discreetly throughout the gallery.
Tranquility and reflective expansiveness pervade the walls of Peter Blum Gallery, where the diaphanous colors of John Zurier frequently haze the distinctions between the concrete and ineffable, between opacity and luminosity, between tangible matter and color.