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Ruth Asawa Through Line

A good student and a profoundly intuitive practitioner, Asawa obsessively explored the paths of seeing through nature, craft, history, material matters (such as paper folding), and drawing styles, including the Greek meander (that is, the classical winding geometric pattern that can continue indefinitely), and performance and dance. As a result, she left behind a highly styled and tightly controlled body of work that soundly situates itself between compulsively wrought craft and delicately conceived fine art. ....

Stanford University , United States , New York , Black Mountain , North Carolina , Black Mountain College , Imogen Cunningham , Merce Cunningham , Josef Albers , David Zwirner , Buckminster Fuller , Ruth Asawa , Max Dehn , Paul Klee , Courtesy The Department Of Special Collections , Mountain College Museum , Arts Center , Stanford University Libraries , Mountain College , Ruth Asawa Lanier Inc Artists Rights Society , Viewwhitney Museum , Special Collections , Asawa Lanier , Artists Rights Society , Courtesy David , World War ,

Jaune Quick-to-See Smith: Memory Maps

In a conversation between Smith and Whitney director Adam Weinberg, the pair describe a tenet of Smith’s art as the act of “changing nouns to verbs.” In other words, Smith’s art aims to shift the role of Indigenous people as subjects that are mapped, or are the target of imperialist abstractions like defined frontiers, to that of mapmakers themselves. Smith’s mixed-media War-Torn Dress (2002) most overtly highlights the distinctions between the mapped and the mapmakers. ....

New York , United States , Whitney Museum Of American Art , George Catlin , Adam Weinberg , Matthew Carasella , Courtesy The Whitney Museum Of American Art , Courtesy Whitney Museum Of American Art , Viewwhitney Museum , Jaune Quick To See Smith , Memory Map , Whitney Museum , American Art , Prince De Joinville , Survival Suite , Memory Maps , Quick To See Smith , Flathead Reservation , State Names Map , Lawrence Lithography Workshop , War Torn Dress , Contemporary Art , Rt Critic , Rt Books , Rt Reviews , Hong Bui ,

Josh Kline: Project for a New American Century

The exhibition Project for a New American Century at the Whitney Museum installed on the fifth and eighth floors is a sampling of Josh Kline’s works done over the last fourteen years. The initial impression is that Kline’s work descends from the tradition of social realism and agit-prop in which art serves as a tool of social and political criticism and mobilization. However, what one soon realizes is how often it instead verges on melodrama. ....

United States , New York , Jason Rhodes , Peter Saul , Santiago Sierra , Duane Hanson , Charlie Ray , Bill Viola , Ed Kienholz , Josh Kline , Haim Steinbach , Francesc Torres , Jeff Koons , Damian Hirst , Tom Sachs , Fritz Lang , Jefferson Cowie , Courtesy Whitney Museum , Class Division , Viewwhitney Museum , Whitney Museum , New American Century , New American , Tania Bruguera , Climate Change , Personal Responsibility ,

No existe un mundo poshuracán

Coinciding with the fifth anniversary of 2017’s Hurricane Maria, the exhibition marshals roughly thirty-six works of art in support of its thesis—that Puerto Rico’s colonial relationship to the United States is to blame for the devastating effects of that event. ....

United States , Puerto Rico , New York , Whitney Museum Of American Art , Puerto Rican , Puerto Ricans , Marcela Guerrero , Julia Keleher , Gabriella Torres Ferrer , Raquel Salas Rivera , Viewwhitney Museum , Puerto Rican Art , Hurricane Maria , Whitney Museum , American Art , Javier Orf , Post Hurricane World Does Not Exist , We Ll Meet , Kate Werble Gallery , Javier Ort , Education Julia Keleher , Advancing Latinx Art , Contemporary Art , Rt Critic , Rt Books , Rt Reviews ,