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Cob taillights out of the same bottles they would normally make their beer in. they have a few dozen people making them tay in and day out. obviously they want to keep it a secret. they don t want it to be a potential target for the russians. what really struck me is not just the fact that there s molotov cocktails in beer battles but the fact that these guys were carrying on with their normal lives a week ago, organizing parties, brewing peer, that kind of thing. what a difference a week makes. they re getting ready for war and didn t have a second thought about it. they all said it is their duty to fight back. . one of the many vignettes we are seeing of this mass mobilization of civilians. russian tennis star making a dangerous decision to speak out against vladimir putin s war on ....
Having some success, these moments, how much does that help as you move possibly towards the resistance phase for ukraine? i think vignettes like that give the ukrainian military, but equally important the ukrainian citizenry hope. and they demonstrate the russian military is not ten feet tall. and that they live, breathe and die just like other human beings. and i think that s very important in these early days. because ukrainian people are suffering from a the shock of the invasion. but it is that shock, as it wears off there is realism they could actually fight back. lieutenant general lute, appreciate you being with us. thank you so much. all right, want to go back to kyiv right now, terrell jermaine starr, senior reporter at the root. we re going to you, we see you re in a car right now driving about the city there, in ....
It was stephen sondheim s only hit song remarkably, because this was the man who revolutionised the american musical. as a young man he learned his trade from oscar hammerstein, the lyricist who wrote shows like oklahoma and the sound of music. sondheim, too, started by doing the words notably for leonard bernstein s music in west side story. # i like to be in america! # ok by me in america! soon he was writing his own music as well. # for a small fee in america. most of the shows that followed were hits. and then in 1970 he came up with a new idea a musical that didn t follow an obvious plot. # phone rings, door chimes, in comes company. company was a series of vignettes featuring a dozen central characters. no two sondheim musicals were the same. i don t want to get bored writing. and you know, it s when you hit a chord that you ve hit before or a technique of using a song that you ve done before or when i do, i get very nervous. ....
The lyricist who wrote shows like oklahoma and the sound of music. sondheim, too, started by doing the words notably for leonard bernstein s music in west side story. # i like to be in america! # 0k by me in america! soon he was writing his own music as well. # for a small fee in america. most of the shows that followed were hits. and then in 1970 he came up with a new idea a musical that didn t follow an obvious plot. # phone rings, door chimes, in comes company. company was a series of vignettes featuring a dozen central characters. no two sondheim musicals were the same. i don t want to get bored writing. and you know, it s when you hit a chord that you ve hit before or a technique of using a song that you ve done before or when i do, i get very nervous. and i think i ve written that, i mustn t do that again. somebody will catch me up on it, so to speak. ....
As a young man he learned his trade from oscar hammerstein, the lyricist who wrote shows like oklahoma and the sound of music. sondheim, too, started by doing the words notably for leonard bernstein s music in west side story. # i like to be in america! # ok by me in america! soon he was writing his own music as well. # for a small fee in america. most of the shows that followed were hits. and then in 1970 he came up with a new idea a musical that didn t follow an obvious plot. # phone rings, door chimes, in comes company. company was a series of vignettes featuring a dozen central characters. no two sondheim musicals were the same. i don t want to get bored writing. and you know, it s when you hit a chord that you ve hit before or a technique of using a song that you ve done before or when i do, i get very nervous. and i think i ve written that, i mustn t do that again. somebody will catch me up on it, so to speak. it s as if somebody s saying, ....