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Few films bring together so many errors of the 20th century as the adult classic starring Sylvia Kristel that after half a century has become more like a social time capsule than a redeemable movie
What critics are getting wrong about Saltburn is that it is not a film about class mobility, but rather, a film about class consciousness.
Coffy saw Pam Grier as the main propulsive force in a Blaxploitation movie, breaking ground for later female roles such as Ripley in Alien, Sarah Connor in Terminator and Nakia in Black Panther.
A new restoration is screening at Bristol’s Cinema Rediscovered alongside films inspired by post-punk New York in the 1980s and a strand of blacklisted directors
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Nina Menkes on her startling new doc, which shows how women are framed, lit and shot in films to reinforce Hollywood’s male dominance