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The Post’s arts editor Enid Tsui reports back from opening week at the Venice Biennale 2024 with the pavilions, exhibitions, artists and performances that stood out for her.
Up next at MUMA: a powerhouse designer, entangled histories, performative exhibition and collective networks.
One institution considers another: in a pugilistic text that frames the dense exhibition “Unschöne Museen” [Unbeautiful Museums]
The owner and director of Amsterdam's Diez Gallery brings us along for a week in his life during the city's art week.
For her presentation in the Frame section at Frieze New York, Homa Delvaray combines digital prints with poetry to evoke the loss of tranquil spaces.