Why Can't Documentary Films Get Respect at Cannes? – IndieWire
It's been almost 20 years since "Fahrenheit 9/11" won the Palme d'Or. Most Cannes nonfiction selections don't get that opportunity.
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It's been almost 20 years since "Fahrenheit 9/11" won the Palme d'Or. Most Cannes nonfiction selections don't get that opportunity.
Pietro Bianchi reports from the Cannes Film Festival.
On three splashy premieres from Cannes, including HBO's The Idol, Indy, and Scorsese.
Wang Bing’s Youth (Spring) looks at China’s young textile workers who have migrated from rural homes to stitch mass-produced children’s clothes.
Sometimes Cannes pulls a poker face and smacks a big surprise down on its famous red carpet, all without a blink or a wink. This year, it comes in the form of a three-and-a-half-hour documentary about Chinese sweatshop workers, shot entirely in a crummy garment district on the mainland's eastern coast.