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The artist braved the freezing Pennines to cast a Romantic painting in a bold new light, while her restaging of Manet’s Olympia is wonderfully subversive
Aesthetica speaks to Yan Wang Preston on representation, performance, landscape and the opening of her new exhibition at Messums London.
No. He argued that this was altogether different, and maybe he was right. Grace hated musicals herself. She’d had to sit through My Fair Lady one year because Josh was operating the sound board. It had made her feel restless and a little violent.
The new photography exhibition, which opens June 5, responds to 2020, the year of shared isolation.