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Coming out, first love and a daughters relationship with her father. It is the first ever Broadway Musical to feature a lesbian protagonist. From home fun home is based on the memoir by the pioneering graphic novelist Alison Bechdel who will join us for the hour. Made the emotions i was trying to get that in the book and in my own self i feel like when i talked about making it proper funeral for my father i wanted to fully grieve him in a way i had not been able to. His life was a trout in these lies. Amy and we will speak to Jeanine Tesori and lisa kron who just made history as the first allf...

Amy today we look at the history making Broadway Musical fun home about family, memory, coming out, first love and a daughters relationship with her father. It is the first ever Broadway Musical to feature a lesbian protagonist. From home fun home is based on the memoir by the pioneering graphic novelist Alison Bechdel who will join us for the hour. Made the emotions i was trying to get that in the book and in my own self i feel like when i talked about making it proper funeral for my father i wanted to fully grieve him in a way i had not been able to. His life was a trout in these lies. Amy a...

Amy today we look at the history making Broadway Musical fun home about family, memory, coming out, first love and a daughters relationship with her father. It is the first ever Broadway Musical to feature a lesbian protagonist. From home fun home is based on the memoir by the pioneering graphic novelist Alison Bechdel who will join us for the hour. Made the emotions i was trying to get that in the book and in my own self i feel like when i talked about making it proper funeral for my father i wanted to fully grieve him in a way i had not been able to. His life was a trout in these lies. Amy a...

Conway actress Piper Wallace makes her big screen debut in "World's Best," the hip-hop musical comedy from Disney that opens today.

With noteworthy performances across the board, Nashville Repertory Theatre’s production of Violet – with a lovely, haunting and emotional score by Jeanine Tesori and a sometimes meandering, oftentimes difficult to follow, libretto by Brian Crawley, based upon Doris Betts’ short story “The Ugliest Pilgrim” – closes out the company’s 2022-23 in impressive style that heralds great promise for what is still to come as the Rep moves forward into its 39th season.