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Revolutionary Art Movement Or Just A Catch Up - Edward Lucie- Smith


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Looking at official galleries here in Britain (all temporarily closed as of this publication) – more especially at those situated in London – it is immediately evident that a revolution has taken place.
Take, for example, Tate Modern, Tate Britain, and closely aligned to these two, the Serpentine Gallery, and what does one find? Yes, each of these is currently hosting an exhibition of work by a Black female artist. Tate Modern offers work by the South African photographer Zanele Muholi. Also, an installation entitled Fons Americanus by the sculptor Kara Walker. Tate Britain hosts a show by Lynette Yiadom-Boakye – ‘enigmatic portraits of fictitious people’. The Serpentine has an exhibition of work by the American painter Jennifer Packer. The two bigger institutions, of course, offer other art by other hands as well, but the unanimity is somewhat startling. ....

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Zanele Muholi at Tate Modern, review: strength, generosity and vision


Zanele Muholi at Tate Modern, review: strength, generosity and vision
The i
12/30/2020
Alice Jones
© Provided by The i
Zanele Muholi s Busi Sigasa, Braamfontein, Johannesburg 2006 (Photo: courtesy of the Artist and Stevenson, Cape Town/Johannesburg and Yancey Richardson, New York)
The feminist historian Gerda Lerner described how the absence of women’s thought, actions and experience from recorded history condemned them to revisit the same battles generation after generation: to make the same discoveries, to defend their intellect and to argue for access to education. “Women, ignorant of their history,” Lerner wrote, “had to reinvent the wheel over and over again.” ....

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