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Life after Davis Langdon

and a spate of start-ups
This piece about the spin-off firms in the wake of the Aecom takeover of DL is republished as it appeared in 2013 with the subheading Building profiles the many new start-ups launched by former Davis Langdon partners
When Building broke the news this month that six former partners of Davis Langdon were setting up a consultant of their own - to be called Alinea - regular readers may have had a feeling of deja vu.
Hadn’t we been here before? Yes, indeed, at least 15 times in two-and-a-half years.
The reasons for such a proliferation of Davis Langdon (DL) staff exiting to go it alone are many and varied – and well-rehearsed. See our January feature on the ‘Culture Shock’ at DL following its 2010 takeover by Aecom for a detailed analysis. ....

New York , United States , City Of London , City Of , United Kingdom , Ad Daw Ah , United Arab Emirates , Hong Kong , Borough Of Bedford , Daniel Fryer , Mark Baxter , Richard Hopper , Alex Walker , Abu Dhabi , Paul Allen , Tim Beresford , Mark Schumann , Simon Trafford , Stuart Bremner , Alasdair Maclean , Stephen Brown , David Halford , Sian Memmott , Iain Parker , Tony Llewellyn , David Happell ,

Commuter Cup: Citroen Ami vs Silence Scooter vs Volkswagen up!

Once the daily destination for well over a million commuters, central London has been eerily empty for the last year or so. Things are picking up again as lockdown restrictions have lifted to a large degree, but people returning to the rat race face a different landscape.
For one thing, crowded, close-contact public transport hasn’t become more attractive since Covid-19 struck, yet while cars are perfect for socially distanced travel, driving into central London was never hugely fun, and has become even less so with the rise of Low-Traffic Neighbourhoods (LTNs). These and similar schemes have become popular with local councils over the last year and, while each is different, they generally work by closing residential roads off to drivers, diverting them instead on to arterial routes, often fining those who fail to spot the warning signs. ....

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Commuter Cup: Citroen Ami vs Scooter vs Volkswagen up!

Once the daily destination for well over a million commuters, central London has been eerily empty for the last year or so. Things are picking up again as lockdown restrictions have lifted to a large degree, but people returning to the rat race face a different landscape.
For one thing, crowded, close-contact public transport hasn’t become more attractive since Covid-19 struck, yet while cars are perfect for socially distanced travel, driving into central London was never hugely fun, and has become even less so with the rise of Low-Traffic Neighbourhoods (LTNs). These and similar schemes have become popular with local councils over the last year and, while each is different, they generally work by closing residential roads off to drivers, diverting them instead on to arterial routes, often fining those who fail to spot the warning signs. ....

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Woman who knocked film producer off his bike when she opened Uber door ordered to pay £8,000

A businesswoman who knocked a film producer off his bike when she opened the door of an Uber has been ordered to pay him £8,000 compensation along with the driver.
Sandy Lieberson was thrown to the ground in north London in May 2016 when Louisa Pointon opened her cab door into his path - giving him no chance to brake.
The 84-year-old, who produced the film Jabberwocky as well as Rita, Sue and Bob Too, suffered multiple rib fractures and bruising to his back and leg before being treated in hospital.
Mr Lieberson sued Miss Pointon personally for damages, after insisting she must take responsibility for her carelessness, as well as cab driver Gabriel Dominte. ....

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Paul Thomas Anderson on Phantom Thread

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Phantom Thread is widely available on digital platforms, 4K UHD, Blu-ray and DVD.
The ‘phantom thread’ in the title of Paul Thomas Anderson’s eighth feature refers to a term that seamstresses working in the East End of Victorian London used to describe the sensation they felt after emerging from long, repetitive hours in the workshop. After returning home exhausted, the women would find their hands moving involuntarily, their fingers clasped as though sewing invisible, ‘phantom’ threads.
It’s a title that offers hints of the gothic undercurrents that drive Anderson’s film, the first the California-native has made outside the US. Phantom Thread is a claustrophobic chamber drama about the balance between giving and taking, conceding and resisting in relationships, and one as singularly unconventional as any he has made since 2002’s Punch-Drunk Love signalled his move away from the dazzlingly orchestrated Scorsese/Altman-isms of Boogie Nights (19 ....

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