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Bandcamp / Buy A simple, open sense of awe suffuses the music Olive Ardizoni makes as Green-House. Their debut record under that alias, the calming, contemplative , came out in early 2020 via the Los Angeles label Leaving, a longtime home for music with a spiritual slant and a reverent embrace of nature. Like Mort Garsonâs 1976 cult classic Mother Earthâs Plantasia, the first Green-House release took plants and their caretakers as its intended audience. Ardizoni similarly followed Stevie Wonderâs mesmerizing 1979 score Journey Through the Secret Life of Plants in mapping the behaviors of flora onto synthesized compositions, trying to imagine what kind of musical patterns plants might like to hearâor, conversely, what kind of rhythms and melodies might induce in people the opportunity to empathize somatically with their still, unspeaking neighbors. ....
Last modified on Sat 1 May 2021 04.46 EDT The composer Elaine Hugh-Jones, who has died aged 93, made a striking contribution to English song. In her survey New Vocal Repertory (vol 1, 1986), the soprano Jane Manning wrote of the pleasure of discovering a composer with a complete mastery of voice and piano writing: “Although they are firmly based on a traditional musical style – that of English post-Romantic – the songs are not in the least derivative [but show] a wonderful assurance and freshness of approach and an exceptionally sensitive response to words.” The works in question were six settings of poems by Walter de la Mare, written between 1966 and 1985. Two more, from 1988-89, went on to make a set of eight, and they have been broadcast several times on BBC Radio 3. ....