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Christie's announces Fall Sales of Photographs, Prints and Multiples from The Metropolitan Museum of Art

Christie's announces Fall Sales of Photographs, Prints and Multiples from The Metropolitan Museum of Art
artdaily.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from artdaily.com Daily Mail and Mail on Sunday newspapers.

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Ce que les animaux des peintures rupestres nous apprennent sur l'art et l'empathie

Ce que les animaux des peintures rupestres nous apprennent sur l’art et l’empathie
July 1, 2021 4.02pm EDT
Disclosure statement
Eva Aladro Vico does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.
Partners
L’écrivain et critique d’art britannique John Berger a été l’un des premiers chercheurs modernes à souligner, dans son étude des peintures d’animaux de la grotte Chauvet, le caractère éminemment artistique des peintures paléolithiques primitives que les humains ont peintes pendant 20 000 ans dans les grottes et les abris du monde entier. ....

United Kingdom , John Shepherd , Alvin Langdon Coburn , Ananda Coomaraswamy , John Strasbourg , Claude Valletta , ஒன்றுபட்டது கிஂக்டம் , ஜான் மேய்ப்பன் , ஆல்வின் லாங்டன் கோபர்ன் ,

Geoff Dyer Shows How Modern Culture Shaped Photography

Geoff Dyer Shows How Modern Culture Shaped Photography
The author’s latest book,
See/Saw: Looking at Photographs, condenses over 100 years of history into selected moments
In his introduction to
The Ongoing Moment (2005), Geoff Dyer fulsomely admits he doesn’t own a camera, before cheerfully embarking upon a masterful essay comparing the great photographs of the American Century. As someone who has spent the last four years writing a novel about a dead photographer while knowing nothing about the technical aspects of the medium, I found this admission a massive morale boost. Dyer has the distinctive ability to be simultaneously incisive and agile with his subjects – he paces through timeless questions and judiciously selected moments effortlessly. ....

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See/Saw: Looking at Photographs by Geoff Dyer review – how to really read a picture

Mon 19 Apr 2021 02.00 EDT
Geoff Dyer first became interested in photography not by looking at photographs but by reading about other people looking at them. That meant the holy trinity of seers: Susan Sontag, Roland Barthes and John Berger. For Dyer, the most inspirational of these three was Berger, about whom he wrote his first book,
Ways of Telling,
35 years ago, and from whom he learned his habits as a critic â always letting the evidence of his eyes have precedence over theory, and bringing what psychologists like to call âhis whole selfâ to the task at hand. In Bergerâs writing, that had invariably meant something soulful and learned, almost sculptural in intent. Dyerâs sensibility is more fleeting and alive to comic ironies; his writing dramatises both a restless attention, and the moments it is stopped in its tracks. He shares with his mentor, however, that autodidactâs sense of bringing his singular frame of reference to bear on ....

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Reading Lord Byron's 'Manfred' (amidst the pantheon of modernist dramaturges) | Scott Krane

I
The pattern of modernist aesthetics on the dramatic stage which saw a vogue in 20
th century Europe did not simply emerge sans prototype or influence. We may trace the elements which make a dramatic piece categorically modernist to a certain archetype, and for our purpose of examination the most patent of which is
Manfred (1816-17) by Lord Byron (1788-1824), a work that is as much an insult to realism as it is a model of lyrical Romantic excellence.
Manfred introduced to the English canon a new set of anti-rules for the author of drama. To the modernists, art is not meant to produce ....

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