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"Darkness Sounding" Takes Music Outside

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On a chilly Los Angeles morning in late January, I woke up an hour before dawn and drove to Griffith Park, a rugged expanse that stretches northeast of the Hollywood Hills. Five times the size of Central Park, and home to a solitary mountain lion, Griffith brings a tinge of wilderness to the urban sprawl. During the pandemic, it has been more crowded than usual, but in the half-light of 6
A.M. there was no one about. I hiked up to a point where downtown L.A. became visible. Rains had recently come through, and mists rose from vegetation, giving a gauzy shimmer to the lights of the awakening city. ....

New York , United States , Joshua Tree National Park , Great Basin , Joshua Tree , Studio City , Griffith Park , Mount Washington , Linda Catlin Smith , John Cage , Gordon Hempton , Morton Feldman , Los Angeles , Meredith Monk , Laurence Crane , Christopher Rountree , Holland Andrews , Archie Carey , Ann Southam , Odeya Nini , Andrew Mcintosh , Eva Maria Houben , Federico Mompou , Chris Kallmyer , Richard Valitutto , Central Park ,

Eugene Mthethwa speaks out on what drove him to chain himself at Samro

Trompies' Eugene Mthethwa wants answers from Samro! ....

Eugene Mthethwa , Sam Ro , Collecting Society , Music Rights , சாம் றோ , சேகரித்தல் சமூகம் , இசை உரிமைகள் ,

8 Quirky Composers Worth a Listen

What was John Cage thinking when he composed
4’33” (1952)? The work’s manuscript declared that it was written “for any instrument or combination of instruments.” It then specified that there were three movements of set duration 33 seconds, 2 minutes 40 seconds, and 1 minute 20 seconds, respectively. His instructions to the performer(s) were to remain silent. Profound? Funny? Stupid? For many listeners, the jury is still out. Not for me. Recommended:
4’33”
P.D.Q. Bach
To be a successful musical parodist, one has to be a pretty good musician. When the parody works (as in pianist Victor Borge’s performances, or
The Baroque Beatles Book, a superb transformation of early Beatles music into Baroque style), the effect is brilliant. One prolific composer with a different understanding of mastery is P.D.Q. Bach, composer Peter Schickele’s alter ego. Always painful and groan-worthy, he presents such near-classics as the ....

National Gallery Of Art , District Of Columbia , United States , Guy Klucevsek , Pascal Rog , Astor Piazzolla , Rued Langgaard , John Cage , Philip Glass , Louis Hardin , Victor Borge , Erik Satie , George Antheil , Stockbyte Thinkstock , Peter Schickele , Cf Peters Corporation , Courtesy Of Henmar Press Inc , Sixth Avenue , Henmar Press , Baroque Beatles Book , Sonata Abassoonata , Disinformation Polka , Happy Chappie , Polka From , National Gallery , தேசிய கேலரி ஆஃப் கலை ,