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Autumn Journal on <em>Autumn Journal</em>: 20-22


“So much for Christmas”
Vita brevis, ars longa. The week before Christmas finds MacNeice in London’s National Gallery. Outside, movement continues and suggests ephemerality. Inside, “Other worlds persist,” caught and elevated to significance by the artists’ attention, by the achievements of form.
Last March, sensing how things were going and that museum doors would soon be shut, I stole an hour between meetings to duck into the Smith College Museum of Art. The visit felt like a last leave-taking from old friends (I took quick photographs of some favorite works) and like a farewell to the very act of standing in front of paintings (as opposed to staring at reproductions). During the intervening months, that experience of seeing art, of finding some consolatory order and endurance in the frame, was one I keenly missed. I’ve been able to get back into galleries lately, and I have found the frantic rhythms of my mind soothed by those long moments before the canva ....

France General , United Kingdom , Languedoc Roussillon , Nord Pas De Calais , City Of , Comunidad Autonoma De Cataluna , Christmas Rose , Primrose Hill , Michael Thurston , Smith College Museum Of Art , London National Gallery , Autumn Journal , Winter Jewels , Flower Farm , Smith College Museum , Christmas Day , Nicholas Cathedral , Popular Front , பிரான்ஸ் ஜநரல் , ஒன்றுபட்டது கிஂக்டம் , ல்யாஂகெடாக் ரஸ்ஸிலன் , நார்ட் பாஸ் டி கலேஸ் , நகரம் ஆஃப் , காமுனிடட தன்னாட்சி டி கடலுள் , கிறிஸ்துமஸ் உயர்ந்தது , ப்ரிம்‌ரோஸ் மலை ,

Autumn Journal on <em>Autumn Journal</em>: 23-24


“Now I must make amends.”
It is often said (when people are talking of the “Auden group,” those poets who came to prominence with Auden in the Thirties) that MacNeice was the collective’s resident skeptic. Others, you will hear from Samuel Hynes in his book,
The Auden Generation, from Edna Longley in her study of MacNeice, from Robyn Marsack and Beret Strong and Peter MacDonald in chapters on MacNeice, even from Seamus Perry and Mark Ford in their recent
London Review of Books podcast episode on MacNeice flirted with political commitment (Stephen Spender is usually singled out as the most gung-ho enthusiast for movements, but Auden and C. Day Lewis also get credit, or blame, for at least provisionally throwing their weight behind some cause), but MacNeice stayed scrupulously on the sidelines. One way to read the whole of ....

United States , France General , City Of , United Kingdom , Comunidad Autonoma De Cataluna , Robyn Marsack , Primrose Hill , Erik Vervrogen , Simon Peter , Seamus Perry , Samuel Hynes , Stephen Spender , Michael Thurston , Edna Longley , Mark Ford , Peter Macdonald , Guy Fawkes , Association Of Writers , Autumn Journal , Auden Generation , Beret Strong , London Review , Waste Land , Fire Sermon , New Year , ஒன்றுபட்டது மாநிலங்களில் ,

Autumn Journal on <em>Autumn Journal</em>: 19


A clear, cold winter morning dawns and London’s pigeons, night-shift workers, breakfast cookers, and babies are all up and moving. “O what a busy morning,” abuzz with engines, wires, machines, and butchery: “The housewife . . . Watches the cleaver catch the naked / New Zealand sheep between the legs.” Amid the commerce and commotion, MacNeice finds his mind turning back to his breakup, to lost love no longer recognizable as the love into which he had fallen. Time and busyness and the slow erosion of routine have moved him from the excitement of September and the fresh heartbreak of October to a complacent December chill: “The hypnosis is over and no one / Calls encore to the song. / When we are out of love, how were we ever in it?” ....

New Zealand , City Of , United Kingdom , Michael Thurston , Roland Barthes , Protestant Church , Autumn Journal , Diane Diederich Photography , Naked Eyes , புதியது ஜீலாந்து , நகரம் ஆஃப் , ஒன்றுபட்டது கிஂக்டம் , மைக்கேல் தர்ஸ்டன் , ப்ராடெஸ்டெஂட் தேவாலயம் , இலையுதிர் காலம் இதழ் , டயான் இறந்தவர் புகைப்படம் எடுத்தல் , நிர்வாணமாக கண்கள் ,

Autumn Journal on <em>Autumn Journal</em>: 20-22


“So much for Christmas”
Vita brevis, ars longa. The week before Christmas finds MacNeice in London’s National Gallery. Outside, movement continues and suggests ephemerality. Inside, “Other worlds persist,” caught and elevated to significance by the artists’ attention, by the achievements of form.
Last March, sensing how things were going and that museum doors would soon be shut, I stole an hour between meetings to duck into the Smith College Museum of Art. The visit felt like a last leave-taking from old friends (I took quick photographs of some favorite works) and like a farewell to the very act of standing in front of paintings (as opposed to staring at reproductions). During the intervening months, that experience of seeing art, of finding some consolatory order and endurance in the frame, was one I keenly missed. I’ve been able to get back into galleries lately, and I have found the frantic rhythms of my mind soothed by those long moments before the canva ....

France General , United Kingdom , Languedoc Roussillon , Nord Pas De Calais , City Of , Comunidad Autonoma De Cataluna , Christmas Rose , Primrose Hill , Michael Thurston , Smith College Museum Of Art , London National Gallery , Autumn Journal , Winter Jewels , Flower Farm , Smith College Museum , Christmas Day , Nicholas Cathedral , Popular Front , பிரான்ஸ் ஜநரல் , ஒன்றுபட்டது கிஂக்டம் , ல்யாஂகெடாக் ரஸ்ஸிலன் , நார்ட் பாஸ் டி கலேஸ் , நகரம் ஆஃப் , காமுனிடட தன்னாட்சி டி கடலுள் , கிறிஸ்துமஸ் உயர்ந்தது , ப்ரிம்‌ரோஸ் மலை ,