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Last modified on Sat 30 Jan 2021 14.02 EST One of the many casualties of last yearâs lockdown was OperaGlass Worksâ new staging of Brittenâs The Turn of the Screw, co-produced by Selina Cadell and Eliza Thompson, conducted by John Wilson, that had been scheduled for a run in late March 2020 at Wiltonâs Music Hall in east London. Determined not to let six weeks of rehearsal go to waste, Cadell and Thompson decided to rework the production as a film in collaboration with Marquee TV, sharing the directing honours with Dominic Best. Itâs by no means a simple visual record of a staging, as the whole of Wiltonâs has become the set. The stalls, minus their chairs, now house the dilapidated facade of Bly, its garden and the banks of the lake where Francesca Chiejinaâs Miss Jessel appears to Alys Mererid Robertsâs Flora. The foyers, twisting staircases and galleries, meanwhile, have become both Blyâs sombre interior and an image of the psychological labyrinth in which Rhian Loisâs anxious Governess gradually realises she is lost.