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Barbara Hepworth: Art and Life review – a blockbuster of diminishing returns


Sun 30 May 2021 08.30 EDT
In the mid-1950s, Barbara Hepworth returned to bronze after a break of 30 years. Casting in metal not only meant that several editions of the same work could be made and sold; it was more durable than her carvings, and thus better suited, as she put it, to the “travelling circus” of the contemporary art world. But the change brought with it a shift in style, too: a salty new freedom. The first of these bronzes,
Curved Form (Trevalgan) (1956), the idea for which Hepworth conceived while gazing at the Atlantic from a hill between St Ives and Zennor, has a sense of movement her work had hitherto lacked. Its arms, lithe yet muscular, bring to mind the wings of some huge, greenish sea bird. Such a heavy thing – and yet it might take off at any moment. ....

New York , United States , United Kingdom , Barbara Hepworth , David Chipperfield , Ben Nicholson , Hepworth Wakefield , Eleanor Clayton , Curved Form , Turning Forms , Contrapuntal Forms , Single Form , Two Figures , புதியது யார்க் , ஒன்றுபட்டது மாநிலங்களில் , ஒன்றுபட்டது கிஂக்டம் , பார்பரா ஹெப்வொர்த் , டேவிட் சிப்பர்ஃபீல்ட் , பென் நிக்கல்சன் , ஹெப்வொர்த் வேக்ஃபீல்ட் , எலினோர் களிமண் , வளைந்த வடிவம் , ஒற்றை வடிவம் , இரண்டு புள்ளிவிவரங்கள் ,