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Of Children and Sphincters


Of Children and Sphincters
Two maladroit lovers search for the meaning in childhood games, their parlay capturing the awkward transition from youth to intellectual and emotional adulthood, in this comical excerpt from Xurxo Borrazás’s novel I Is.
That night, in one second, the alarms ring out like crickets in heat, simultaneously. The sheets take on the shape of the bodies beneath them, and on wrists, in towers, on tables and walls, time is told in a single direction. Their bodies lie slack, submerged and conscious in the absence of light chased by the night.
“I don’t know where to start,” he says. ....

Groucho Marx , Santa Claus , Xurxo Borraz , Humble Harry , Saint Augustine , Jimmy Copacabana , International Literature , Adrian Minckley , Writing From Galicia , Childhood Trauma , Galician Literature , Xurxo Borrazas , Jacob Rogers , க்ரௌசொ மார்க்ஸ் , சாந்தா பிரிவு , தாழ்மையான ஹாரி , துறவி ஆகஸ்டின் , ஜிம்மி கோபாகபனா , சர்வதேச இலக்கியம் , எழுதுதல் இருந்து கலீசியா , குழந்தை பருவம் அதிர்ச்சி , காலிசியன் இலக்கியம் , ஜாகோப் ரோஜர்ஸ் ,

Essays, or the Opening and Closing of the Okra Flowers During the Eclipse


Essays, or the Opening and Closing of the Okra Flowers During the Eclipse
The work of German photographer Karl Blossfeldt and his relationship to plants is reimagined in this poem by 2019 Poems in Translation Contest winner Alba Cid from her collection Atlas
.
we ripple
Edgar Allan Poe
1. A catalog for Karl Blossfeldt.
2. A creation that can only be seen head-on, one which celebrates the detail: fingers plucking petals and sepals to discover
3. the corolla (chrysanthemum)
4. the structures (sage)
5. a nearly nonexistent world: interior, spores, silences (nothing better than a panicle to catch a glimpse of silence).
6. With some enlargements, organic matter can become metal, sculpture, a richly split nutcracker, a Tsarine delirium after so many Tsars. ....

Jorie Graham , Walter Benjamin , Edgar Allen Poe , Karl Blossfeldt , Alba Cid , Translation Contest , About Flowers , River Jordan , International Literature , Galician Literature , Megan Berkobien , Writing From Galicia , Jacob Rogers , ஜோரி கிரஹாம் , வால்டர் பெஞ்சமின் , எட்கர் ஆலன் போ , ஆல்பா ஸிட் , மொழிபெயர்ப்பு போட்டி , நதி ஜோர்டான் , சர்வதேச இலக்கியம் , காலிசியன் இலக்கியம் , எழுதுதல் இருந்து கலீசியா , ஜாகோப் ரோஜர்ஸ் ,

Alberte Merlo's Horse - Words Without Borders


Alberte Merlo’s Horse
In this fantastical story of a man and his horse by Álvaro Cunqueiro, it becomes increasingly unclear who holds the reins. 
 
One lovely summer afternoon Alberte Merlo gave his horse a little fresh grass, then sat himself down on his chopping block to read the newspaper. The horse, chewing, leaned over his master’s shoulder, and in the voice of a man, inquired:
“What’s new in the world today?”
So began many long months of conversation between Alberte and his horse. By Alberte’s account they spoke of politics, of taxes, of the latest festival in Noia, of weddings and funerals. One day the horse confessed he hated being named Moro, and suggested that Alberte find him something more proper, even if something French. So Alberte consulted a good friend of his in Muros, a teacher, who told him he ought to call this Moro of his Cheval, as they call horses in France. The horse liked the sound of this, but not without muttering that ....

Alberte Merlo , Records Office , Yeti Ve , Mischief Law , International Literature , Alvaro Cunqueiro , Galician Literature , Scott Shanahan , Writing From Galicia , Alberte Merlos Horse , Editorial Galaxia , பதிவுகள் அலுவலகம் , எட்டி வே , குறும்பு சட்டம் , சர்வதேச இலக்கியம் , காலிசியன் இலக்கியம் , ஸ்காட் ஶ்யாநஹ்யாந் , எழுதுதல் இருந்து கலீசியா ,

And They Say


And They Say
Memories of family unfold in fragments in this excerpt from Susana Sanches Arins novel And They Say
.
[under]construction
stories are always being constructed. the words work like hands, setting brick after brick in its place.
a wall that protects us.
birthday
my father was born in 1949, the year after the war had come to an end. my mother came into the world in 1952 and the Maquis still roamed the hills. the war seemed far away, but it was there.
and it is still there.
seams
i don’t know the whole story. i only recall, although this i do recall clearly, some scraps. not even scraps of the story, but rather the ones of the stories that grandma gloria told about the story, or of the stories casilda struggles to remember that she heard from aunt ubaldina. how can you identify the links between one remnant and another? what stitch should you use? where should you cut the fabric? in fact, what cloth should be used? what is the ri ....

Susana Sanches Arin , International Literature , Kathleen March , Family Photograph , Susana Sanchez Arins , Galician Literature , Writing From Galicia , சுசானா சான்சஸ் அரின் , சர்வதேச இலக்கியம் , க்யாத்லீந் அணிவகுப்பு , குடும்பம் புகைப்படம் , காலிசியன் இலக்கியம் , எழுதுதல் இருந்து கலீசியா ,

Voracious - Words Without Borders


Voracious
Faced with the imminent death of her mother, Emma Pedreira s narrator reflects on how little they know one another.
Mamá will die tomorrow. Or maybe the day after tomorrow, I’m not sure, but I don’t want to stop to think about it. What I do know is that I’ll get a call and there’ll be a quiet voice, used to these types of things, and in such a schematic way that it’ll sound like a note jotted down on a Post-it:
Your mother is dead.
In accordance with her wishes, the burial will be tomorrow. We are very sorry. ....

Emma Pedreira , Then Pap , International Literature , Writing From Galicia , Kathleen March , Galician Literature , Family Trauma , எம்மா பெதிறேற , பிறகு பாப் , சர்வதேச இலக்கியம் , எழுதுதல் இருந்து கலீசியா , க்யாத்லீந் அணிவகுப்பு , காலிசியன் இலக்கியம் , குடும்பம் அதிர்ச்சி ,