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More Than a Literary Movement: Susana Sanches Arins and Valentim Fagim on Reintegrationist Galician

More Than a Literary Movement: Susana Sanches Arins and Valentim Fagim on Reintegrationist Galician
Susana Sanches Arins, left, and Valentim Fagim
WWB s March issue features writing from Galicia, an autonomous region of northwestern Spain that borders Portugal. Though the Galician language shares a common root with modern Portuguese, Galicia s position within Spain has led to a divergence between the two languages: today, Galician is generally written using Spanish orthography and is not officially recognized as a variant of Portuguese. The Reintegrationist movement, however, seeks to change this state of affairs by promoting a vision of the Galician language that is more closely tied to Portuguese. Today on WWB Daily, we speak with two Galician literary figures actively working to further Reintegrationist Galician: Susana Sanches Arins, a writer and WWB contributor, and Valentim Fagim, codirector of Através Editora, a publishing house that provides a space for Rein ....

Estado Do Rio , United States , Ricardo Carvalho Cavalero , Jacob Rogers , Letras Galegas , Carvalho Calero , Susana Sanches Arins , Ricardo Carvalho Calero , Reintegrationist Galician , Valentim Fagim , Paz Andrade People Legislative Initiative , Community Of Portuguese Language Countries , Galician Public Library , Galician Language Association , Translated By Jacob , Sanches Arins , Middle Ages , Estraviz Dictionary , Academia Galega , Portuguese Language Countries , Real Academia Galega , Lingua Galega , Paz Andrade People , Legislative Initiative , What Reintegrationism , Best Narrative Work ,

And They Say

And They Say
Memories of family unfold in fragments in this excerpt from Susana Sanches Arins novel And They Say
.
[under]construction
stories are always being constructed. the words work like hands, setting brick after brick in its place.
a wall that protects us.
birthday
my father was born in 1949, the year after the war had come to an end. my mother came into the world in 1952 and the Maquis still roamed the hills. the war seemed far away, but it was there.
and it is still there.
seams
i don’t know the whole story. i only recall, although this i do recall clearly, some scraps. not even scraps of the story, but rather the ones of the stories that grandma gloria told about the story, or of the stories casilda struggles to remember that she heard from aunt ubaldina. how can you identify the links between one remnant and another? what stitch should you use? where should you cut the fabric? in fact, what cloth should be used? what is the ri ....

Susana Sanches Arin , International Literature , Kathleen March , Family Photograph , Susana Sanchez Arins , Galician Literature , Writing From Galicia , சுசானா சான்சஸ் அரின் , சர்வதேச இலக்கியம் , க்யாத்லீந் அணிவகுப்பு , குடும்பம் புகைப்படம் , காலிசியன் இலக்கியம் , எழுதுதல் இருந்து கலீசியா ,

Voracious - Words Without Borders

Voracious
Faced with the imminent death of her mother, Emma Pedreira s narrator reflects on how little they know one another.
Mamá will die tomorrow. Or maybe the day after tomorrow, I’m not sure, but I don’t want to stop to think about it. What I do know is that I’ll get a call and there’ll be a quiet voice, used to these types of things, and in such a schematic way that it’ll sound like a note jotted down on a Post-it:
Your mother is dead.
In accordance with her wishes, the burial will be tomorrow. We are very sorry. ....

Emma Pedreira , Then Pap , International Literature , Writing From Galicia , Kathleen March , Galician Literature , Family Trauma , எம்மா பெதிறேற , பிறகு பாப் , சர்வதேச இலக்கியம் , எழுதுதல் இருந்து கலீசியா , க்யாத்லீந் அணிவகுப்பு , காலிசியன் இலக்கியம் , குடும்பம் அதிர்ச்சி ,