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The Return Of Live Music: 10 Classical Music Festivals To Attend This Summer

An audience on the lawn of the Koussevitsky Music Shed at Tanglewood in 2018. (Courtesy Fred Collins) Classical-music devotees who’ve been missing the sound of live music and the camaraderie of intermissions can begin to breathe a sigh of relief as the pandemic, at least around these parts, begins to wind down. The Boston Symphony Orchestra has just announced that Symphony Hall will reopen Sept. 30 with celebrity violinist Anne-Sophie Mutter playing the new John Williams Violin Concerto No. 2 (if you can’t wait, you can attend the world premiere at Tanglewood, July 24). This summer, many plans are already in place for live concerts, mainly in the open or semi-open air. Some programs, such as all the concerts at the legendary Marlboro Music Festival, are already sold out. Here’s my list of the live events that I’m aware of so far, including some I’m especially happy to encourage you to attend. Keep on the lookout for others.

Vail Dance Festival, Beaver Creek Art Fair, Berry Picker trail run race and Fame The Musical Jr : Tricia s Weekend Picks 7/30/21

Vail Dance Festival, Beaver Creek Art Fair, Berry Picker trail run race and Fame The Musical Jr : Tricia s Weekend Picks 7/30/21
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REVIEW: Sleek playing from Bronfman, brass and string quartet

Special to the Aspen Times Yefim Bronfman coaxed an ear-caressing range of tone from the Steinway grand piano on the stage of the Benedict Music Tent Tuesday evening. He applied breathtakingly precise technique to find expressive details in works by Beethoven, Chopin, Schumann and the iconoclastic Soviet-era composer Galina Ustvolskaya. Miraculously, it all came through indelibly in the spacious expanses of the tent, a space hardly ideal for solo piano music. Bronfman always is all business, so it’s not surprising that he conquered both the music and the space. He does not gaze into the ether before he begins a piece. Once he settles onto the piano bench, the music launches without hesitation, whether it’s the lilting dance of Beethoven’s Sonata no.11, the sprinkling of fairy dust in the opening flourish of Chopin’s B minor Piano Sonata, or the hushed chords that started the most arresting piece of the recital Ustvolskaya’s disarmingly subtle fourth Piano Sonata.

Chamber Orchestra premiere sends personal message of gratitude

Chamber Orchestra premiere sends personal message of gratitude
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