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As Time Goes By | PARABOLA


Family watching television, 1958. Photograph by Evert F. Baumgardner. Courtesy of Wikimedia Commons. Source: National Archives and Records Administration.
A few years ago I had a conversation with a close friend of mine about the experience of watching older films on TV with my parents.
I’d be sitting there, deeply involved with something by John Ford or Sam Peckinpah or King Vidor, and my father would make a comment about the color of the military uniforms being incorrect, or the fact that it looked like it was clearing up outside. These remarks were made in such a way that a response was called for. I would murmur something like “Mmm hmm” or “Uh huh” dutiful, minimal, as noncommittal as possible without being dismissive, and breathless, in order to suggest that believe it or not I was deeply involved with the movie so could you please find it in your heart to save any and all comments or asides or exclamations for the commercial break. There were always more co ....

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The Big Picture: What were the biggest stories from April?


Investment Week is hosting its Asia Market Briefing at a pivotal time for investors as they start to position for the recovery from the Covid-19 pandemic, although risks remain.
During this interactive briefing, we will hear from a number of Asia managers about their response to the extraordinary events of the past year and their outlook for the rest of the year and beyond.
The managers will identify where they are seeing the biggest opportunities and risks at the moment in Asia and explain the role their strategies could play in client portfolios.
Attendees will also get the chance to network with peers, quiz our speakers, as well as benefit from CPD points. ....

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Monte Hellman looks back


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Monte Hellman, who has died in Los Angeles at the age of 91, was nothing short of a legendary figure in American independent cinema.
From his start in the Roger Corman stable in the early 1960s, a veritable breeding ground for the talent that would emerge at the tail end of the decade, Hellman began his career with a bang, forging a partnership with Jack Nicholson that would yield four features as director – two written by Nicholson himself, one by Carole Eastman, who would go on to write Five Easy Pieces (1970) for Bob Rafelson. ....

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