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Hanks Welt: Kapitalismus und Sklaverei Ihre Suche in FAZ.NET Darstellung eines nubischen Sklaven im alten Ägypten. Bild: Picture-Alliance Wie sehr beruht unser Wohlstand auf der Ausbeutung Afrikas? Die Zeit der Aufklärung postkolonialistisch auseinander zu nehmen, liegt im Trend. Das muss aber nicht bedeuten, dass das falsch ist. Weitersagen abbrechen Sklaverei, Kolonialismus und Genozid sind die Fundamente, auf denen der Wohlstand des Westens beruht. Die europäische Aufklärung war in Wirklichkeit zutiefst imperialistisch. So steht es in einer gerade erschienenen Studie des Sozialwissenschaftlers Kehinde Andrews, Professor für „Black Studies“ an der Birmingham City University. Sein Buch trägt den Untertitel „Wie Rassismus und Kolonialismus bis heute die Welt regieren“. ....
Sky-Serie „Domina": Rom, wie es intrigiert und meuchelt taz.de - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from taz.de Daily Mail and Mail on Sunday newspapers.
Macamathehou in Lincolnshire and the evidence for people named Muhammad in medieval England The aim of the following draft is to offer some thoughts on a local name from thirteenth-century Lincolnshire, Macamathehou, that involves a version of the Arabic name Muhammad (Middle English Makomet/Macamethe, Old French Mahomet). Whilst it has been plausibly seen as an instance of a variant of the name of Muhammed being used to mean heathen , pagan idol or similar (based on the false but common medieval Christian belief that the prophet Muhammad was worshipped as a god), here in reference to a barrow that was considered to be a pre-Christian site, it is worth noting that there are a small number of people with names and surnames derived from Arabic ....
– Neil Strauss, “ – Thoko Thomo aka “Shukuma Thoko,” A Common Hunger to Sing . Thokozile Elizabeth Ndlozi has been silent for too long. But like her 1950s namesake Thoko Thomo, the speedball inferno from George Goch known for her high-octave package – she sang, acted, danced, pouted, and teased audiences and fellow collaborators with peerless brio – before being effectively “disappeared” from public memory prior to her actual death in 1995, Thoko Ndlozi, who died on 14 January at 74, just won’t die. Not dying – as opposed to being dead and famous, or alive and unseen, unfelt, unheard and unrecognised – is a remarkable feat on its own. ....