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Kota Ezawa reenvisions missing masterpieces


Kota Ezawa reenvisions missing masterpieces
Kota Ezawa (Japanese-German, b. 1969), “Empty Frame,” 2015. Duratrans transparency and LED light box, 24 1/2 × 33 1/2 inches. Courtesy of the artist, Christopher Grimes Gallery, Santa Monica, and Haines Gallery, San Francisco.
ATHENS, GA
.- Over 30 years ago, thieves disguised as police officers entered Boston’s Isabella Stewart Gardner Museum, tied up the night guards and stole paintings, including ones by Rembrandt, Manet, Degas and Vermeer. Despite this act being one of the largest art heists in history, the case remains cold and the art is still missing.
The traveling exhibition “Kota Ezawa: The Crime of Art” is on display at the Georgia Museum of Art at the University of Georgia from July 17 until December 5, 2021. The exhibition includes 13 works of art that pay homage to the objects stolen during the Gardner Museum heist in 1990. ....

United States , Mead Art Museum , Isabella Stewart Gardner Museum , Nelda Damiano , Kota Ezawa , Georgia Museum Of Art , Gardner Museum , University Of Georgia , Georgia Museum , Pierre Daura Curator , European Art , Mead Art , ஒன்றுபட்டது மாநிலங்களில் , மீட் கலை அருங்காட்சியகம் , இசபெல்லா ஸ்டீவர்ட் கார்ட்னர் அருங்காட்சியகம் , நெல்டா டாமியானோ , ஜார்ஜியா அருங்காட்சியகம் ஆஃப் கலை , கார்ட்னர் அருங்காட்சியகம் , பல்கலைக்கழகம் ஆஃப் ஜார்ஜியா , ஜார்ஜியா அருங்காட்சியகம் , பியர் ட Aura ரா கியூரேட்டர் , ஐரோப்பிய கலை , மீட் கலை ,

Artdaily - The First Art Newspaper on the Net


The First Art Newspaper on the Net
 
Emmanuelle Polack with her research materials at the Louvre Museum’s Centre du Dominique-Vivant Denon in Paris, June 23, 2021. Polack is the face of the French museum’s efforts to return stolen works. But some discoveries have put her employer in an awkward situation. Joann Pai/The New York Times.
by Elaine Sciolino
(NYT NEWS SERVICE)
.- In a frenzied, four-day auction in the grand hall of the Savoy Hotel in Nice in June 1942, buyers bid on paintings, sculptures and drawings from “the cabinet of a Parisian art lover.” Among the 445 pieces for sale were works by Degas, Delacroix, Renoir and Rodin. The administrator monitoring the sale, appointed by the French collaborationist Vichy regime, and René Huyghe, a paintings curator at the Louvre, knew the real identity of the art lover: Armand Isaac Dorville, a successful Parisian lawyer. They also knew that he was Jewish. After Hitler’s armies invaded and occupied Paris in ....

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