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The Quietus | Features | The Lead Review | Lights Are Much Brighter There: Daddy's Home By St Vincent


Eve Willis
, May 13th, 2021 08:07
St Vincent s new album wants to be loose and gritty and bluesy and dirty. It s not that. But it s still great, finds Eve Willis
Photo by Zackery Michael
There is a certain kind of person who thinks that living in New York is an adequate substitute for a personality. Once every five years, Olivia Laing logs on from Surrey to suck the life out of the work of a slew of long-dead New York-based artists and remind us that she, too, was briefly unhappy there. Fran Lebowitz – bad-tempered, chic – tortures her audience with a high budget seven-parter for Netflix (Netflix!) where she gripes and gripes from her Chelsea condo that when the 70s ended, the fun did too. ....

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Album review: St. Vincent's Daddy's Home lands square in the '70s


Photo: Zackery Michael
There’s a self-conscious artifice that needs to be embraced in order to fully enter the world of St. Vincent’s dark and compelling new album,
Daddy’s Home. In and of itself, this isn’t necessarily anything new: Annie Clark, the multi-hyphenated artist now six albums deep into her career under the St. Vincent moniker, has always had a chameleonic muse, adopting different personas and perspectives in her songwriting, most recently with the high-gloss, electronic-infused pop of 2017’s
Masseduction, where she sometimes sounded as though she were broadcasting from a near-future dystopia. But with this latest record, she’s gone the opposite direction, back into the past, to conjure a vision of a time she’s only known through music and stories the early ’70s in New York City. It’s a meticulous musical diorama, replete with striking figures and colorful, lurid narratives that blend reality and fiction, to engrossing effect. If ....

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