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Changing The Game (Hulu 6/1), a festival-feted documentary that follows three trans teen athletes.
Woman In Motion: Nichelle Nichols, Star Trek, And The Remaking Of NASA (Paramount+ 6/3) goes where no Trekkie-courting doc has gone before.
Rat Film director Theo Anthony returns with
All Light, Everywhere (select theaters 6/4), an essay film about the relationship between camera technology and human biases. A struggling actress flails through the aftermath of a relationship with a counterterrorism specialist in Paul Felten and Joe DeNardo’s scrappy American indie
Slow Machine (virtual theaters 6/4). Kelvin Harris Jr., Charlie Plummer, and Jacob Latimore embark on a 48-hour bender/rampage in Nabil Elderkin’s
Disappointing Conjuring sequel The Devil Made Me Do It strays from the template set by James Wan’s supremely effective original and its longer, louder, slightly less effective encore.
“It is the darkest
Conjuring movie yet,” director Michael Chaves proclaims when we sit down to talk to him about the latest movie in the
Conjuring universe,
The Conjuring: The Devil Made Me Do It. “I know that might sound like hyperbole, but I just showed the finished film to Vera [Farmiga, who plays Lorraine Warren] and her husband, and she agreed!”
There’s little doubt that this may well be the darkest
Conjuring movie, as this installment is based on one of America’s most infamous murder cases, that of young Arne Johnson. It is the first known court case in the United States in which the defense sought to prove innocence based upon the defendant’s claim of demonic possession and denial of personal responsibility for the crime. A case in which the Warren’s testified for the defendant.