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Dia takes Manhattan | Apollo Magazine


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Once upon a time, you could stand on the roof of 548 West 22nd Street, up among the water towers of Manhattan, with views out over the Hudson to New Jersey, and watch the city shimmer and reflect on the surfaces of one of Dan Graham’s glass pavilions. It was a New York moment. You could go downstairs, following the blue and green glow of a Dan Flavin light sculpture lining the stairwell, and see shows by leaders in contemporary European and American art reaching back to the 1960s. The galleries here, at Dia Center for the Arts, were some of the first to display Richard Serra’s ....

New York , United States , United Kingdom , New Mexico , Great Salt Lake , Pays De La Loire , Gerhard Richter Atlas , Carl Andre , Barnett Newman , Heiner Friedrich , La Monte Young , Walter De Maria , Dorothea Rockburne , Robert Smithson , Dan Flavin , Sam Gilliam , Carl Craig , Richard Serra , Lucy Raven , Philippe Vergne , Jessica Morgan , Leonard Riggio , Max Neuhaus , Monte Young , Robert Gober , Katharina Fritsch ,

Two Major Museums More Than 1,600 Miles Apart Have Jointly Acquired a Sprawling Sam Gilliam Installation


Sam Gilliam,
Double Merge (1968). Installation view, Dia:Beacon, Beacon, New York, 2019. © Sam
Gilliam/Artists Rights Society (ARS), New York. Photo: Bill Jacobson Studio, New York. Courtesy of Dia Art Foundation.
There is no joy in possession without sharing, Erasmus once said and it’s a lesson museums are learning.
The Dia Art Foundation and the Museum of Fine Arts, Houston, have jointly acquired an early landmark work by Sam Gilliam, which the two institutions will share moving forward. The institutions have split the purchase price evenly.
The price for the artwork was not disclosed, though the
Financial Times reported that “market experts estimate a seven-figure sum.” ....

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American Painting: The Eighties Revisited


While some museums are closed due to the Covid-19 pandemic, Apollo’s usual weekly pick of exhibitions will include shows at institutions that are currently open as well as digital projects providing virtual access to art and culture.
In 1979, the Grey Art Gallery at New York University hosted ‘American Painting: The Eighties’ – a landmark show that considered the possible avenues for painting in the decade ahead. Would the most significant painting of the 1980s take its cues from Abstract Expressionism, or post-abstract movements such as Pop or minimalism, or strike out in new directions entirely? This display at the Cincinnati Art Museum (12 March–11 July) recreates that exhibition, with work by all 41 of the artists in the original line-up – among them Sam Gilliam, Nancy Graves and Elizabeth Murray – and 35 paintings that were shown in 1979. Find out more from the Cincinnati Art Museum’s website. ....

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