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Rich and strange: Eileen Agar at Whitechapel Gallery reviewed

Rich and strange: Eileen Agar at Whitechapel Gallery reviewed
spectator.co.uk - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from spectator.co.uk Daily Mail and Mail on Sunday newspapers.

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Why artist Eileen Agar's 'womb magic' speaks to our times

While a major retrospective of her work has just opened at the Whitechapel Gallery, her feminist influence can be seen in a range of exhibitions across London ....

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Eileen Agar: A Surrealist Trailblazer Whitechapel Gallery

As a new young arts writer, I once went to Eileen Agar’s flat in Kensington. I honestly didn’t know who she was at that time. ....

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Eileen Agar: Angel of Anarchy review – a fish'n'chips surrealist | Art and design

Last modified on Thu 20 May 2021 04.45 EDT
A vintage PathÃ© newsreel from 1936 is playing on a loop at the Whitechapel Gallery with a commentary so comically steeped in archaic sexism, the âjokesâ are hard to decipher. Itâs a light item about an artist called Eileen Agar, who has made herself a hat covered in fake seafood, in which she is filmed walking along a London street while people stop and stare, amazed.
It says as much about Britain before the second world war as it does about Agar, whose artistic life the Whitechapel has been reclaimed in a copious exhibition. This was a society in which wearing a mildly eccentric hat was considered outrageous enough to get you on the news. The people who gasp at Agar seem to belong to an ordered, rule-bound Britain thatâs hard to imagine now. Itâs not the past weâve been watching in The Pursuit of Love â this actual footage from the 1930s reveals an age too drab to inspire nostalgia. ....

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Eileen Agar: Angel of Anarchy | Apollo Magazine

Eileen Agar played a key role in the Surrealist movement during the 1930s – this large survey at the Whitechapel Gallery (19 May–29 August) shows the range of her influences. She drew on everything from Cubism to classical sculpture in works that ranged from painting to found-object assemblages. With some 150 works, the display traces her seven-decade career from her early years studying at the Slade through to her inclusion in André Breton’s ‘International Surrealist Exhibition’ of 1936, and the prolific and varied output that followed. Find out more from the Whitechapel’s website. ....

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