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Theory of the Novel Spring 2020 | Duke Novel: A Forum on Fiction & Society for Novel Studies (SNS)


Theory of the Novel
Instructors: Armstrong and Garréta
Intended for graduate students and advanced undergraduates who want to pursue some area of novel, fiction, or narrative studies, this course examines a set of concepts that should provide them access to 1) the modes of thinking that characterize novels across the modern and contemporary periods and several different national traditions, 2) the various ways that critical theory has defined those concepts, and 3) reading the novel as a concept-driven argument in relation to other disciplinary discourses, especially critical theory.
The course begins by considering a long and robust tradition of critical theory focused on the novel. Why does the attempt to think about the modern world in dialectical terms encounter some kind of historical limit where that thinking stalls or breaks down? On what basis do novels nevertheless continue to be written, taught in classrooms, and circulated for the pleasure and edificatio ....

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How music shaped Virginia Woolf's writing


How music shaped Virginia Woolf’s writing
Music provided the author with a vocabulary to imagine and describe her creative practice and formal innovations.
4 hours ago
Virginia Woolf listened to a wide variety of music, including Russian ballet music which she heard when the Ballets Russes visited London in 1912.
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George Charles Beresford, Public domain, via Wikimedia Commons
Many of Virginia Woolf’s early reviewers noted parallels between her literary innovations and those of contemporary composers, such as Claude Debussy. Woolf’s interest in music was overlooked after her death. However, 80 years on, we are now beginning to explore how her extraordinary experimental uses of narrative perspective, repetition and variation derive from her close study of particular musical works and specific musical forms. ....

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A Lifetime of Lessons in "Mrs. Dalloway"


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In 1916, Virginia Woolf wrote about a peculiarity that runs through all real works of art. The books of certain writers (she was speaking of Charlotte Brontë at the time) seem to shape-shift with each reading. The plot might become comfortingly familiar, but the emotional revelations within it change. Scenes once passed over as unimportant begin to prickle with new meaning, as if time itself had been the missing ingredient for understanding them. Woolf went on to describe the works she returned to again and again:
At each fresh reading one notices some change in them, as if the sap of life ran in their leaves, and with skies and plants they had the power to alter their shape and colour from season to season. To write down one’s impressions of ....

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Michael Cunningham on Virginia Woolf's Literary Revolution


Michael Cunningham on Virginia Woolf’s Literary Revolution
Virginia Woolf, 1902.Credit.George C. Beresford/Hulton Archive, via Getty Images
By Michael Cunningham
Dec. 23, 2020
Virginia Woolf’s “Mrs. Dalloway” is a revolutionary novel of profound scope and depth, about a day in the life of a woman who runs a few errands, sees an old suitor and gives a dull party. It’s a masterpiece created out of the humblest narrative materials.
Woolf was among the first writers to understand that there are no insignificant lives, only inadequate ways of looking at them. In “Mrs. Dalloway,” Woolf insists that a single, outwardly ordinary day in the life of a woman named Clarissa Dalloway, an outwardly rather ordinary person, contains just about everything one needs to know about human life, in more or less the way nearly every cell contains the entirety of an organism’s DNA. ....

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