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Bob Koester obituary

Last modified on Fri 28 May 2021 07.55 EDT In the 1960s, musicians and music fans across the world began to be intrigued by the blues. Searching for it, they would inevitably be led to Chicago and, once there, to two Chicago institutions: a store called the Jazz Record Mart and a record label called Delmark. At the store, visitors found not only records, but informed guidance to who was playing where on the city’s vibrant club scene. On the label they discovered multiple voices of the blues, from veterans of the 1920s and 30s to the new generation of Windy City artists such as Magic Sam, Junior Wells and Luther Allison.

Bob Koester leaves a colossal legacy in Chicago jazz and blues

Bob Koester in the stacks at the Jazz Record Mart in 2009 Michael Jackson Bob Koester, who died May 12 at age 88, knew what he liked and what you should like too. For nearly 70 years, he owned Chicago s Jazz Record Mart (and the Delmark label), and it was completely in character for him to snatch an album from the hands of an earnest young shopper. In 1968, that shopper was me I d picked up a copy of Muhal Richard Abrams s debut LP, Levels and Degrees of Light, whose surreal cover painting and saturated colors promised something exotic and strange made right here. I was more than eager to hear it, but Koester still black-haired, wearing glasses, not graceful, not yet 40 had other ideas. You can t understand

Bob Koester, giant of the Chicago jazz and blues scene – obituary

Bob Koester, giant of the Chicago jazz and blues scene – obituary
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The Aces helped invent the sound of electric Chicago blues

The Aces helped invent the sound of electric Chicago blues  They’re best known as a backing band for Junior Wells and Little Walter, but they took the lead when it came to the future of the genre. Sign up for our newsletters Subscribe Since 2004 Plastic Crimewave (aka Steve Krakow) has used the Secret History of Chicago Music to shine a light on worthy artists with Chicago ties who ve been forgotten, underrated, or never noticed in the first place. When you delve into the history of Chicago blues, you hear a lot about singers, lead guitarists, and harmonica players. But what about rhythm sections? Surely the groove keepers are just as indispensable and just as responsible for advances in the music. Such is the case with the Aces, who are as important to electric urban blues as the Funk Brothers are to Motown s polished pop R&B. When the Great Migration carried Mississippi Delta blues to Chicago in the 1940s, it evolved into the citified postwar sound that s still familiar to l

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