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By Gregg Stull
PLAYWRIGHTS hold a mirror to demand an unforgiving reflection of life while posing provocative questions and providing few easy answers. Their characters illuminate a world where equity, justice, and possibility often elude all but the truly privileged.
Few American playwrights have interrogated this truth more than Lillian Hellman (1905–1984), who made an indelible mark on mid-20th century realism, even as she found herself overlooked among other playwrights of her time—such as Tennessee Williams, Clifford Odets, Arthur Miller, Horton Foote, and William Inge.
She was born in New Orleans to Max and Julia Hellman, German–American Jews in New Orleans. Hellman’s mother was from a well-to-do family and her father was a local shoe salesman. ....

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