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Break + Bleed at San Jose Museum of Art in San Jose - June 4, 2021


Organized by Rory Padeken, curator
The circle and the square. Verticals, swoops, and folds. Flat planes and sensuous surfaces. Colors bright and vibrant. During the late 1950s and 60s, artists began to diverge from the painterly, gestural approaches of Abstract Expressionism in favor of what the American art critic Clement Greenberg in 1964 called post-painterly abstraction. Artists moved in a variety of directions, some in pursuit of paintings pure in color and open in composition while others toward structured, linear designs using familiar geometric shapes. Rejecting a loose application of paint, these artists stained their unprimed canvases or created flat planes of color devoid of any distinctive mark making. ....

United States , Sam Francis , Amy Kaufman , Fred Spratt , Frank Stella , Clement Greenberg , Patrick Wilson , Ted Stamm , Joachim Bandau , Sun Sep , John Cavalli , Josef Albers , Winston Roeth , Brice Marden , Rory Padeken , Leo Valledor , Ilya Bolotowsky , Karl Benjamin , Sun Jun , Patsy Krebs , Nicole Phungrasamee Fein , Helen Lundeberg , John Mclaughlin , Mary Corse , Robert Yasuda , Naomi Boretz ,