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TIFF 2021: Bergman Island is a Stunner Worthy of its Namesake
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Review: Bergman Island
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Cannes Review: Bergman Island is a Playful Labor of Løve
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Currently Reading Bergman Island Review: Vicky Krieps and Tim Roth Look for Love, and the Ghost of Ingmar, in Mia Hansen-Løve s Beguiling Cinephile Shell Game
The filmmaker riffs on her relationship with Olivier Assayas in a pleasurable art-house homage.
Owen Gleiberman, provided by
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Director: Mia Hansen-Løve
With: Vicky Krieps, Tim Roth, Mia Wasikowska, Anders Danielsen Lie, Hampus Nordenson, Anki Larsson, Kerstin Brunnberg, Melinda Kinnaman, Stig Björkman.
“Bergman Island,” the lyrical and absorbing new drama written and directed by Mia Hansen-Løve (“Things to Come,” “Eden”), tells the story of two filmmakers who are a couple: Tony (Tim Roth), the more famous of the two, and Chris (Vicky Krieps), who has carved out her own independent niche in world cinema. They have a daughter they’re leaving with relatives, and the movie is about what happens when they journey to the island of Fårö, in the Baltic Sea, and set
film profile], in competition at the 74th Cannes Film Festival. Through this summery immersion of great formal beauty, populated by delicate secrets and invisible starta, the director perfectly unfolds her very developed sense for nuances, reflections, and for the circulation of deep underwater currents influencing the surface of sentiments.
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Ostensibly, everything seems so simple. In order to write scripts, Chris (
Vicky Krieps, ideal actress for the refined and ultra sensitive style of the filmmaker) and Tony (
Tim Roth) settle for the summer on the Swedish island of Fårö, where for 40 years lived (and shot six films) one of the masters in the History of the 7th art: