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The Art of Abstraction in Michelangelo Antonioni's Blow-Up filmschoolrejects.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from filmschoolrejects.com Daily Mail and Mail on Sunday newspapers.
Adam and the Ants: Ant Music from Subculture to Image Culture popmatters.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from popmatters.com Daily Mail and Mail on Sunday newspapers.
Blu-ray: West 11 by Graham RicksonTuesday, 06 July 2021 The first ten minutes of West 11 are arresting, with a sweeping crane shot over an ungentrified West London and a zoom in through an attic bedsit window. The credits reveal that the screenplay is by Keith Waterhouse and Willis Hall, from a once-influential novel by Laura Del-Rivo. There’s a catchy, moody score by the great Stanley Black. The titles unfold over location footage that brilliantly establishes a sense of time and place; much of the film looks and feels so authentic. This was the young Michael Winner’s breakthrough feature, released in 1963, and this disc’s bonus interview with film historian Matthew Sweet invites us to try an intriguing thought experiment, to cast our minds back to “a time when Winner wasn’t a joke figure,” an edgy, inventive low budget film-maker instead of a pompous restaurant critic. ....
West 11 - Film News | Film-News.co.uk | Movie News & Reviews film-news.co.uk - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from film-news.co.uk Daily Mail and Mail on Sunday newspapers.
In the film Blow-Up (1966)[i] photographer (David Hemmings) becomes consumed by some enigmatic photographs he has taken in a park – do they show a murder in the background or not? Repeatedly, he enlarges the photographs looking for meanings or clues, in the process deconstructing both the images, and, inadvertently, the context in which he exists.
All the long sections in italics below this introduction, are taken from two central chapters[ii] of a literary/ecological thriller, A Bruise on the Snow. Though deprived of its characters and plot, in a manner less abstract but perhaps not dissimilar to that of ....