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WATERCOLOURS, forever the poor relatives of oil painting, have been unjustly associated with “Sunday amateurs,” a stigma that the Royal Institute of Painters in Water Colours has fought against tooth and nail. To its credit, it’s done so with considerable success. The institutes’s annual exhibition and awards for painters working in the medium has been the silver lining for artists tested by the pandemic and perhaps trying times have somewhat clipped the wings of the intrepid experimentation evidenced in shows over the last few years. Yet the unexpected and intriguing is there in Brian Smith’s Ernie’s Beach reminiscent of Abraham Hondius’s Frost Fairs which celebrates a triumph over developers to keep a popular stretch of the Thames near the OXO Tower public. ....
For several weeks now we have been enjoying displays of wonderful cherry blossom, a favourite subject for artist Caroline “Car” Richardson who frequently painted the cherry trees in her Chesham Bois garden. Like Chesham artist, George Bridges (Nostalgia April 9, 2021) Car also recorded many local landmarks, old farmhouses, timber-framed barns, and other features of our lost agricultural landscape. The Tithe Barn on Bois Lane was Car’s home from 1915 until her death in 1959. Its cottage garden was a favourite subject for her watercolours and illustrations. It was also the centre of many activities and social gatherings for the village. In spring, Car would put a sign at the top of the drive inviting the village to come down and view the orchard carpeted with drifts of daffodils or delicate primroses. ....