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Keith Powers You wouldn’t normally think of the Institute for Contemporary Art as home. But it is a home for emerging ideas. A home for living artists where their work has context, is welcomed with love and respect. It’s also a home a sanctuary, really in the towering Seaport District, an essential refuge in that looming maze of high-rises and chic shops. Things have changed at home. ICA/Boston is open, with timed reservations required. Crowds are sparse, and the galleries are well monitored to allow social distancing. Exhibitions there are four, along with Eva LeWitt’s huge wall installation in the downstairs lobby are limited to the fourth floor. ....
The collectors Peter and Jill Kraus in their apartment with Pope.L s Sunny Day White Power. Speculative buyers are flocking to crypto art while blue-chip collectors are holding back, fearing legal gray areas and copyright issues. Via Peter Krauss via The New York Times. by Zachary Small (NYT NEWS SERVICE) .- A handful of auctions this month testing the appetite for a type of investment known as NFTs seemed likely to prolong the nascent fad for ownership of works that exist only in the digital world. Missing from those transactions, however, were the blue-chip collectors who typically drive the art markets sales. Industry experts have observed a growing wedge between a new generation of digital speculators and an older school of art collectors who say their concerns about the quality, ownership and authenticity of NFTs have gone unresolved, even as their fears of legal challenges grow. More than a dozen collectors int ....