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Hop In! Ear Taxi Festival Announces Fall 2021 Return


Chicago Symphony Orchestra performers in a CSO MusicNOW performance
When it comes to getting around a bustling city like Chicago to see the sights, jumping in a cab is a great place to start. But hearing the city? Turns out, a taxi can take you on a listening journey, too.
The Ear Taxi Festival is back this autumn (September 15-October 4) with the theme “Hear Chicago.” In what will be the first season since the festival’s inaugural 2016 run, Ear Taxi will boast numerous performances all over the city – most of them free to attendees. What’s more, the festival, which was created by Chicago composer Augusta Read Thomas, has invited a wide array of artists from historically underrepresented groups to represent the Windy City sonically, in keeping with Ear Taxi’s mission to “challenge, collaborate, and change together as artists and listeners.” ....

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Creativity can't be canceled | Lin Batsheva Kahn


It was the last week of our 2020 winter quarter. I taught
Modern Dance where 20 students had rigorous physical and interpersonal contact for 10 weeks. Their symmetrical closeness balanced vulnerability, risk-taking, enthusiastic effort, with growth in technique and creative acts of original choreography. Who could have imagined their face-to-face, side-by-side proximity in our last class on March 12th, would become an odd site?
After the cancellation of ‘Le Nozzi de Figaro’ student vocalists and orchestra members gather at DePaul School of Music, March 2020
We only reached dress rehearsal that same week for
Nozze di Figaro. I created choreography on 26 outstanding singers for March performances at Merle Reskin Theater downtown. DePaul Opera Theatre, directed with an ebullient spirit by Harry Silverstein, brought in accomplished guest conductor Roberto Kalb who led the fine student orchestra. It was performance-ready with all the nuances that follow a process ....

New York , United States , Israel General , Erika Sassman , Achinoam Nini , Roberto Kalb , Noah Aronson , Annie Reznick , Harry Silverstein , Kol Han Shama , Eitan Katz , Abigail Hendricks , Avinu Malkeinu , Josh Warshawsky , Colin Dejong , Haley Peterson , Kim Sagami , Joey Weisenberg , Miriam Engel , Cantor Howard Freidland , Yo Ma , Angela Dance Company , Alum Of Depaul Goodman School Drama , Theatre School , Depaul School Of Music , Modern Dance ,

How a driver's license proved TikTok's influence over the music industry


The DePaulia
Success of Olivia Rodrigo’s new single proves ‘The TikTok Effect.’
Samantha Albert, Contributing Writer|January 31, 2021
The first stage of quarantine is remembered as the time we all were home on TikTok, attempting a few viral dances and laughing at the platform’s content, helping it to grow even larger than it already had. Whether we knew it or not, we were increasing TikTok’s impact on the music industry. 
When TikTok was first released in 2016, the most used viral and trending sound categories were typically Billboard hits. Users have always been able to create their own sounds and choose from an array of background audios, though it became known to creators that if the audio they used was already trending or viral, TikTok would push the content out to more viewers, meaning more exposure.  ....

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