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West Bridgford , United Kingdom , United States , Nottingham Broadmarsh , Richard Tresidder , Hayley Woodward , Mary Turner , Nottingham Southside , Nottingham Castle , Josef Stoger , Loukis Menelaou , Josh Osoro Pickering , Paul Southby , Broadmarsh Nottingham , Jon Robinson , Elliot Mather , Jon Collins , Philip Trease , Nick Collee , Nelson Blackley , Willmott Dixon , Adam Baker , Adam Pickering , Victoria Centre , Broadmarsh Shopping Centre In Nottingham , Nottingham City Council ,

''Relevant And Relatable To Today's Technology Driven Society'' - '2021' @ NNT Spring Online Season

Her character regularly shares her in-depth research into TJE with her subscribers on her YouTube channel, and she ends up uncovering a great conspiracy. However, by exposing these secrets online publicly, she risks putting her own safety (and even her life) in grave danger.
Sunenna completely embodies her role, and with the play being premiered online on the YouTube platform, watching her acting on your screen truly feels as if you are watching a real-life YouTuber making videos. Her chime of the classic YouTube intro – “Hey guys, welcome back to my channel” – is all too familiar, and entirely believable.
The most impressive moment of this is when Alex is live-streaming ....

United Kingdom , Alex Bradbury , Sunenna Sohal , Gemma Cockrell , Nottingham New Theatre , Nottingham New , ஒன்றுபட்டது கிஂக்டம் , அலெக்ஸ் பிராட்பரி , ஜெம சேவல் , நாட்டிங்ஹாம் புதியது திரையரங்கம் , நாட்டிங்ஹாம் புதியது ,

An Interview With '2021' @ NNT - Impact Magazine

The show sounds like a bit of a thriller. Do you expect the audience to feel unsettled by the piece? Will they go away and start putting stickers over all their webcams? (Won’t lie, I’ve already got one on mine).
Jaz: I think we definitely wanted to unnerve our audience a bit! We’ve been playing around with this term modern dystopia, setting the play in a technically dystopian setting that sits far too close to home. I think having that idea that we could always be 2-3 years away from reaching this level of surveillance is scary stuff. ....

United Kingdom , Jasmine Butler , Daisy Forster , Kishan Ganatra , Julius Caesar , Nottingham New , Cha Slide , Vampire Weekend , ஒன்றுபட்டது கிஂக்டம் , மல்லிகை பட்லர் , டெய்ஸி ஃபார்ஸ்டர் , கிஷன் கணத்ரா , ஜூலியஸ் சீசர் , நாட்டிங்ஹாம் புதியது , சிஎச்ஏ ஸ்லைடு , காட்டேரி வார இறுதி ,

'What Could Be Worse Than Jumping' @ NNT Autumn Online Season

Credit must first go to writer and co-director Oliver O’Reagan for his work tying themes from both ‘Demons’ and ‘Infinite Jest’ together into natural, beautifully written conversations between Katherine, Nikolai and the mysterious Doctor/Tikon (a psychiatrist and a monk respectively, both played by Danial Ahmer). O’Reagan and co-director and producer Beth White have managed explore highly personal and sensitive themes of depression and addiction in a way that made you feel like you were in the room with the characters.
The play was filmed in black and white, a brave choice that paid off – I found it made the already moving dialogue even more emotive. The stylistic choice of filming each actor separately also worked well. Video editors Barney Hartwill, Ellie Harding and Jesse Rough managed to overlay voices and cut between footage of each actor in a way that made this feel like one of the most natural pieces of online theatre I’ve seen. The use of sound througho ....

United Kingdom , Beth White , Nikolai Charlie Catmur , Kellie Harding , Danial Ahmer , David Foster Wallace , Charlotte Smith , Captioner Cecilia Alexander , Barney Hartwill , Raphael Chenais , Oliver Oreagan , Fyodor Dostoevsky , Infinite Jest , Nottingham New Theatre , Jace Edwards , Charlie Catmur , Olivero Reagan , Jesse Rough , Holly West , Nottingham New , ஒன்றுபட்டது கிஂக்டம் , பெத் வெள்ளை , டேவிட் வளர்ப்பு வாலஸ் , சார்லோட் ஸ்மித் , எல்லையற்ற நகைச்சுவை , நாட்டிங்ஹாம் புதியது திரையரங்கம் ,

'Faces' @ NNT Autumn Online Season - Impact Magazine

My only suggestion in terms of the physical set up and direction of the play, would be to have continuity in terms of using changing angles for each new segment, as seen in the latter two characters, but not in the first two. This would allow for the play to open up with something just as visually engaging as its end- keeping viewers intrigued. The use of face paint in the final narrative was especially successful in the idea that it mapped out in more understandable terms the hidden inferences of the complex discourse being made.
The publicity done by Libby Horobin works wonderfully to complement the themes and specific references noted within the script and anyone following the promotional page is surely excited for the play’s arrival. ....

United Kingdom , Charlie Finney , Rowan Cothliff , Eleanor Rickenbach , Ella Seber Rajan , Laura Garvin Gomez , Libby Horobin , Alan Bennet , Talking Head , Emily Rule , Jesse Rough , Nottingham New , ஒன்றுபட்டது கிஂக்டம் , சார்லி ஃபின்னி , எல்லா செபேற் ராஜன் , லாரா கார்வின் கோம்ஸ் , ஆலன் பென்னட் , பேசுகிறது தலை , எமிலி ஆட்சி , ஜெஸ்ஸி தோராயமாக , நாட்டிங்ஹாம் புதியது ,