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The Nashville Museum That Traces The Evolution of Black Music – Indianapolis Monthly


The Nashville Museum That Traces The Evolution of Black Music
Nashville’s new National Museum of African American Music celebrates the history of gospel, jazz, blues, hip-hop, rap, and more.
May 27, 2021
In the NMAAM’s galleries, it’s easy to trace the evolution of Black music from gospel to jazz, blues, and rap.Photo courtesy NMAAM
James Brown, the Godfather of Soul, looms larger than life in the Rivers of Rhythm Pathways, the central gallery at Nashville’s new
National Museum of African American Music
(615-301-8724,
nmaam.org). His glitzy, perfectly pompadoured image is projected onto a panorama of screens as he belts out his ’60s hit “Out of Sight” and performs his trademark smooth-gliding footwork.  ....

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'It took a long time to get here': behind the National Museum of African American Music


Jimi Hendrix in 1967.
Photograph: TT News Agency/AFP/Getty Images
In 1967, Jimi Hendrix accidentally cracked his guitar before a concert. Seeing it was pretty much broken, he decided to destroy it on stage.
When he did, the audience went wild.
Destroying guitars became a regular part of his act. Hendrix destroyed dozens of guitars over his career and one that was salvaged and saved can now be seen in Nashville.
All they want is my voice : the real story of Mother of the Blues Ma Rainey
Read more
The guitar is on view at the new National Museum of African American Music, which opened on Martin Luther King Jr Day. Tracing over 400 years of black music, from gospel to jazz and R&B, it pays long overdue tributes to musicians like Ma Rainey and Sister Rosetta Tharpe, among others. ....

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The National Museum of African American Music Is Worth the Wait


The National Museum of African American Music Is Worth the Wait
NMAAM invests heavily in telling the full story of Black music
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Photo: Daniel Meigs
When word surfaced more than two decades ago that a National Museum of African American Music was being planned for Nashville, reactions ranged from quizzical to skeptical. The idea was even ridiculed in some sectors of the music journalism and criticism community, as well as among some fans, scholars and lovers of various Black musical idioms. “Nashville, not Memphis?” was one of the recurring comments I heard from colleagues. A second: “That’s not a Black music town.” A third, lesser complaint was that NMAAM wouldn’t get the publicity and recognition it deserves in a city best known as a recording and publishing hotbed of country music. ....

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