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A New York Gallery Field Trip February 2021

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Unlike London, New York galleries are open for business. After my first Covid jab last week, a wave of cautious optimism motivated me to hit the frigid downtown streets. Luckily, this gallery field trip coincided with a dear friend’s much-heralded solo show, an introduction to work by two inspiring artists I previously did not know of, and even the Outsider Art Fair’s annual and beloved event, spread between galleries. Monday New York was blanketed with an unusually dramatic snowstorm, so my weekend jaunt was perfectly timed. (And as I send this out, it is yet another snowy Sunday, one week later) ....

New York , United States , South Africa , City Of , United Kingdom , New Yorker , South African , Domenico Zindato , Ming Smith , Isamu Noguchi , Sperone Westwater , Robert Matta , Andrew Edlin , Arshile Gorky , David Hammond , Stephen Friedman , Thomas Sills , Peggy Guggenheim , Richard Hambleton , Eugene Von Bruenchenhein , Matt Paweski , Eric Firestone , Jean Reynal , Sam Gordon , Jenny Crowe , Elisabeth Kley ,

Noguchi lobby installation is carted away from its high-rise New York home, across the street from MoMA

The lobby of 666 Fifth Avenue in 1957 with Isamu Noguchi’s ceiling in its original state.
Photo: Alexandre Georges; ©Isamu Noguchi Foundation and Garden Museum/ARS
Described by Isamu Noguchi as “a landscape of clouds”, a 1957 installation by the artist in the New York skyscraper 666 Fifth Avenue has been removed from the building at the insistence of a real estate developer, the Isamu Noguchi Foundation and Garden Museum in Queens announced today. The museum is now exploring how it might be relocated in a public space.
The site-specific design by the Japanese-American sculptor consists of a ceiling of backlit steel and aluminium blades in twin lobbies and a wall of vertical blades down which water once cascaded in an adjoining passage. The Noguchi museum had advocated for the installation, ....

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