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Kohn Gallery announces representation of Nir Hod


Kohn Gallery announces representation of Nir Hod
Nir Hod. Courtesy of the artist.
LOS ANGELES, CA
.-Kohn Gallery announced the representation of New York-based artist Nir Hod. Over the last 20 years the artist has exhibited internationally in Europe, Asia, Israel and the United States, and has established a reputation for intrinsically beautiful works, from figuration to abstraction, that belie a deeper, fundamental meaning. Last July, Kohn Gallery debuted Hod’s first West Coast solo exhibition of paintings and sculpture titled The Life We Left Behind.
Known for his reflective, abstract paintings, Hod often begins his process with heavily-labored gradient beneath paintings adding a chroming technique first developed by the U.S. Navy in 1939, then degrading this finish application via water, ammonia, air pressure and various acids to create a surface tension between newfangled industrial applications and age-old oil technique. His canvases are heavily laden with ....

New York , United States , Israel General , Yerba Buena , Tel Aviv , Region Flamande , Annandale On Hudson , Museum Of Modern Art , Ramat Gan , San Francisco , Noord Holland , Bard College , Jewish Museum , Nir Hod , Michael Kohn , Tel Aviv Museum Of Art , Martin Gropius Bau Museum , Jewish Historical Museum , Israel Museum , Museum Of Israeli Art , Yerba Buena Center , Vienna Jewish Museum , Flag Art Foundation , Cooper Union School Of Art , Bezalel Academy Of Art , Us Navy ,

Exhibits to see now in Tel Aviv: Colored pencil embroidery and star-filled fairy tales


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Alexandra Zuckerman, “Flower Fields,” Noga Gallery, Tel Aviv
When you enter the illuminated space of the Noga Gallery of Contemporary Art in Tel Aviv, all you see is a sort of avenue of pale vertical rectangles with ghostly patterns flickering on them. The avenue leads to an isolated, faded rectangle, on the far wall. The rectangles along the avenue are identical in size, equally spaced apart. Each one has a softness of its own, warm or cool, and together they span a bright and colorful musical range. These are Alexandra Zuckerman’s “flower fields,” which are also fields of vision: When you approach them you discover a calculated and precise delicacy, up to the last of the patches. ....

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