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Disney's problematic princess: why Snow White is forever being cancelled


Snow White and the dwarves in the 1938 Disney version 
It’s a tale as old as Twitter. Disneyland’s new Snow White ride, which reopened this month after a year of Covid shutdown, faces criticism for its non-consensual kiss between Snow White and Prince Charming.
Snow White’s Enchanted Wish is a reimagining of Snow White’s Scary Adventures, one of the park’s inaugural rides when it opened in 1955. And it retains many elements of the original: visitors clunk along in minecarts in front of scenes from the film, recreated with jazzy LED projections, lazers and herky-jerky animatronics. 
But this faithfulness to Walt Disney’s 1938 film is precisely the problem, according to theme park reviewers, Julie Tremaine and Katy Dowd. “The attraction preserves much of the charm of what was originally opened,” they wrote on SFGate. “[But] it also adds in the movie’s biggest problem.”  ....

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Juxtapoz Magazine - From Arcadia to Dystopia: Dennis Scholl and Adam Stech in Prague


From Arcadia to Dystopia: Dennis Scholl and Adam Stech in Prague
February 26, 2021 | in Painting
DSC Gallery in Prague, Czech Republic is currently running a final week of a two men show which brings together works by the German artist, Dennis Scholl, and Czech artist, Adam Stech.
From Arcadia to Dystopia is aiming to re-awaken the conversations of Modernism from the late 19th and early 20th centuries and reflect on the current state of the world by putting a focus on self-consciousness or self-reference and human nature.
The works by the two artists might not be using the same visual language to tell their individual narratives, but the complementing color palettes, relatable ambiance, and interest in similar subject matter construct a compelling presentation. Where Scholl s smoothly rendered charcoal and pencil on paper or oils on wood evoke dreamy visions and ambiguity, Stech s raw and textured oils and mosaics present a more fragmented and troubled state of be ....

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Lorraine Tady and the Saturation of Vectors


Lorraine Tady’s oeuvre gives me an opiody buzz. 
The University of Texas at Dallas professor’s fierce lines and rabid colors cooly embrace the rectangle, and fire visual ideas at the brain like a cyclone blasting cherry tree buds in spring. And I’ll go ahead and say it: Tady “paints like a man.”  
Don’t shoot me, PC pals, and hang on ’til we’re through. 
Because Tady has heard this often.
Lorraine Tady, Stellation Field, Parapet, UV ink on canvas, 72×60 inches.
Her works have a masculine edginess. They delight in boundary-making, visual systems, and penetrating line. You’d be hard-pressed to find anything curvaceous in her work. But her personality offers a consistent counterpoint to emotions these formal investigations conjure. Deeply empathic and sensitive, there was an easy joy in threshing ideas about art and life with her as we sat down to coffee on a cold afternoon before Christmas.  ....

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La Jornada - El Museo del Romanticismo abrirá en Fráncfort a mediados de este año

La Jornada - El Museo del Romanticismo abrirá en Fráncfort a mediados de este año
jornada.com.mx - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from jornada.com.mx Daily Mail and Mail on Sunday newspapers.

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